Jason London at the Comedy Store
It’s always a pleasure to share in the success my students. That’s what I’m going to blog about today. One of my students, Jason London, went out to Toledo, Ohio to visit his girlfriend’s family. If that wasn’t courageous enough, he called the Funny Bone in Toledo to ask for a guest spot. And in taking my suggestion, he told the manager of the Funny Bone that he plays regularly at the Comedy Store. They loved the idea of having a comedian who plays at the world famous Comedy Store, so they gave him an audition booking. He went out there and did his thing putting on a show that was so good, the booker booked him at the club for a week!
That’s a very impressive start for someone who’s only been doing stand up for 24 weeks. He’s already getting paid bookings in an A-Club in the midwest. this is big news for any comic. How did it happen? Well, first of all Jason works hard at writing his material. Despite having a job that keeps him busy, sometimes for 12 hour days, he musters up the energy to write his material. Then he comes to class religiously at the Stand Up Comedy Clinic and gets notes on his routines and incorporates them. He makes sure his material has structure because it’s the structure that get the laughs.
And without belaboring the point, let me just say Congratulations to Jason London for booking his first week-long gig at an A-Club! Let’s keep this up and get more bookings!
Rob Rose Comedian
My first student, and now writing partner, Rob Rose, called me the other day as he was preparing to do a showcase in the main room at the world-famous Comedy Store. We were tipped off that some heavy hitters from the industry were going to be there to watch the talent, so we were both eager that he do well. He started telling me all the new material that he wrote for the showcase. I stopped him. â€œYouâ€™re doing new material?â€ He said, â€œYeah, I want them to know I can write.â€
Thereâ€™s always a temptation to write new material for an important showcase because you want to impress. But the problem with that is you donâ€™t truly own it and it will affect your performance. Jay Leno once told me, â€œNever do new material for a showcase for an agent.â€ And heâ€™s right. Always do stuff you are so familiar with that you could do it in your sleep. That way an agent sees it as effortless and that is what will make you stand out from everyone else that stands on stage. Youâ€™ll be free enough to play with the audience and that will reflect in your performance.
Doing new material may make you feel fresh but it wonâ€™t let you stay out of your head. Once you have to remember to do the material then that puts you into your head to look for the joke rather than in the moment with the audience where you belong. Save the new material for a midweek club workout rather than an important showcase in front of industry decision makers.
He took the suggestion and was spontaneous and playful on stage. As a result of doing the â€œtried and trueâ€ material, he was able to be free and his act reflected that. The agents took notice too and after the show they indicated that he was one of the favorites. Weâ€™ll see what happens. Whether he gets signed or not as a result of that peformance, he stood out and they made note of it. When they see him again, they will really take notice.
Jerry Corley (Joke Doctor) is the founder of the Stand Up Comedy Clinic visit the website at http://www.standupcomedyclinic.com where you can sign up for a class or private coaching.