Just for kicks I wanted to write some quick jokes about a random story that showed up in the news. This is what I came up with. Please feel free to share your own jokes on this premise. I use a technique called the listing technique and it usually helps me to write about 15-20 jokes in a short period of time. Want to learn this technique visit my blog on how to write comedy.
Former Playboy Bunny Holly Madison has taken out a 1 million dollar insurance policy on her breasts. (INSERT PHOTO) — for a million dollars you’d think she could’ve at least gotten full coverage.
or… I’m not saying I speak for all men, but thankfully her insurance company only offers partial coverage.
By the way those things defy gravity you’d think those implants were made of helium.
…an insurance policy is a lot like magic, with one wave of a premium her breasts became an ass–set.
I don’t know what insurer underwrote that policy, but it looks like a perfect job for the “Good Hands Company.”
…and…actually I think Lloyd’s of London was the underwire…I mean, underwriter. See, if she came to me I could’ve just given her a piece of the Rock.
The rep from Lloyd’s of London called her boobs a work of art. Really? I thought Lloyd’s only insured original pieces?
She should also get auto insurance considering that you could probably drive a Prius through that cleavage.
The only thing stretched tighter than the skin on her chest is the budget for the United Postal Service.
That’s not even a scoop top. It’s more like a convertible!
Look what my boyfriend got me for my birthday–Twins!
When I told people I subscribed to Playboy for the articles. Those are the two articles I was talking about.
You know the competition is fierce to be a pretty lady, when the only thing natural about you is your ear wax.
When she got her boob job–surprise!–yes, it’s a boob job, she went from A’s to a D’s. Ironically that’s the same reason she dropped out of Portland University.
She’s not secretive about the work she’s had done. She’s got fake boobs, fake hair, a fake nose. I mean I wouldn’t kick her out of bed…yeah, she might shatter.
With the money she costs to maintain, she should’ve changed her name to Porsche.
It’s reported that she’s had at least nine plastic surgeries. I mean, she’s hot, but at what point are you better off just fucking the cosmetic surgeon?
There’s an old saying, “It is impossible to dislike someone who makes you laugh.” Whether you are looking to use humor to improve relationships, sales, presentations, script writing or simply your personality, the power of humor is all around us and shouldn’t be underestimated.
Fortunately, learning how to be a funny man is really not difficult at all. You just need to understand what makes people laugh and then learn how to implement that in your daily dialogue. So let’s get started learning how to be a funny man.
1. Learn what Makes People Laugh
So what makes people laugh? The answer is simple: SURPRISE. That’s right. Surprise is the number one element that triggers human laughter. Once you understand that concept you are well on your way to learning how to be a funny man!
There are around eleven comedy formulas in used in contemporary comedy today. I am going to teach you two of the most powerful that you can use in everyday situations that will help you to create surprise, thus, create laughter.
2. The Reverse:
The reverse is a formula that sets up an assumption or expectation for the listener as to what you are going to say and then, at the last minute, shatters that assumption. In doing that you create crisp surprise and trigger laughter from your listener.
E.G.: “I was in Reno last week staying at the Atlantis Hotel. One morning, the house keeper started banging on the door, just banging. Finally I had to get up and let her out!”
Most of us have been in a hotel room when a housekeeper woke us up by knocking. When we hear that story we imagine that she is outside knocking on the door, but when you change the point of view, at the last minute, you shatter the assumption of the listener, therefore, creating surprise and the result is laughter on the part of the listener.
I’m trying to teach my 5 year old daughter how to tie her shoes. She’s like, “I can’t Dad, I can’t.” I said, “How many times have I told you not to use that word? I am NOT your Dad.”
Once again the listener assumes you are going to say one thing, but you shatter that assumption, creating surprise and get laughs. Once you learn to command this technique you are well on your way to learning how to be a funny man.
3. The Double Entendre:
The Double Entendre formula is very powerful. In fact word-play is used in the majority of humor today. Words have multiple meanings and if you can keep yourself aware, you can find the alternate meaning of a word and use it to create humor.
Say you’re at the grocery store. We are used to things going a certain way. When we change that familiarity with sudden surprise, we can create laughter. Here’s the key: Listen. I mean really listen to what the people are saying. You will be certain to hear a word that has multiple meanings.
Clerk: “Did you find everything you were looking for?” (What does the clerk mean by “everything?” Groceries, right? What do you think of as “everything?” The meaning of life, a soul mate possibly?) So change the meaning when you answer the question. It might go something like this:
Clerk: Did you find everything you were looking for?
You: I found some wine and candles, but I couldn’t find a soul mate, so instead I got Cheez-Wiz!
The double entendre comedy formula is the most commonly used formula in everyday humor. Do you have a friend that turns everything you say into a sexual connotation? He/She is using double entendre:
A husband and wife are watching American Idol. There’s a terrible singer singing off key…
Wife: Somebody should get her off.
Husband (leering): I’ll get her off.
Wife: I tell you what, you learn to get me off, then you can get her off!
So there you have it. Once you learn that surprise is the number one element that triggers human laughter then you learn the reverse and the double entendre formula to help you develop surprise and in 3 steps you are well on your way to learning how to be a funny man!
Chris Rubeiz came to The Stand Up Comedy Clinic as a talented actor and a writer who had done some improv and had some acting jobs. He had also written and shot some sketches and shorts. But he had never done stand up and always wanted to.
In the first couple of weeks Chris struggled with material. His act was all about taking a sh*t at work…(not in the office but in the restroom), all while his boss was in the other stall. Could be funny, but I let him know the limitations of having an all ‘scat’ set.
Well Chris did what few people do…he really went to work. In 8 short weeks, Chris wrote and developed a brand new 7-minute comedy set that had teeth and and definite laugh points and best of all structure. I emphasized that it is the structure in your comedy that will set you apart from other comedians and it will give you definite, crisp laugh points.
After he performed his culmination set in The Belly Room at the world famous Comedy Store, he was asked back to perform in the Main Room. Now I’m under no illusions as to why he was asked to return. Despite the fact that his set was solid, he brought a bunch of people to the club that night and the booker wanted him to repeat that feat and bring more to the Mainroom. After all, it is a “bringer” show.
I try not to knock another man’s hustle and I get the game. I didn’t come up through the trenches of comedy participating in bringer shows and I have no qualms sharing my feelings about them.
In my classes I teach at my comedy studio, I try to be as transparent as possible about what a bringer show is and how it works. I want my students to have no illusions about this business—both the positives and negatives. I suggest to my students to use the ‘bringers’ to their advantage and only participate when they can benefit from them. (I.E.: If an agent is coming or a manager or casting director, or if there is a chance to get a great tape).
So Chris called and asked my advice. He said he wanted to try the Mainroom once and the booker had told him that an agent was going to be present. I’m not going to mention his name, but I know the booker and he has a good reputation and is a very talented comedian himself, (that should narrow down the choices, huh?). The gig fit the criteria we discussed so Chris did the Mainroom.
Low and behold, the booker once again exceeded his reputation and the agent was in the room. Chris brought his people, rocked his set and the agent asked him for a meeting. Chris signed with Jamie Ferrar of JFA this week.
Navigating this business requires good instincts and a thoughtful approach. Chris is one of those guys who is not only creative and talented but also a thinker. He approached this with thought and good instincts and it paid off. His talent, work ethic and drive will continue to take him down the road of success and I’m glad to be a part of it! Congratulations Chris! Jamie is getting the better end of the deal.
I was just writing something about a video I came across on YouTube. It was Louis C.K. paying tribute to the great George Carlin. Then I received an email from a student of mine referring me to HuffPost Comedy which is a segment of the Huffington post. They had beat me to it and written their own piece on Louis’s tribute.
Louis says so many of the things that I have said about George Carlin, so I am going to share those thoughts on it. I am no HuffPost writer so if you want to ready their article you can find it here.
In the video, Louis talks about how George Carlin inspired him to dig deeper and find more material. Like a lot of comedians I know, Louis had the same act for 15 years. Think about it! Fifteen years of the same material! George Carlin would do an HBO special, then chuck out all the material he did in that special and write a brand new act for the next special. How’s that for inspiration?
I had an opportunity to meet George about 20 years ago and the advice he gave me was gold. He said, “Take the stuff that drives you absolutely f**king crazy and make it funny…” That was when my entire approach to comedy changed.
In the video below you’ll get to see Louis C.K. talk about a similar experience he had in his career as a result of George Carlin. I think George has inspired many of us. He certainly inspired me and still does. So many things he said still resonate in my mind and I still apply them in my writing and teaching.
I am always writing and I encourage my students to write constantly, dig deeper, really go for it to find the jokes and say something that’s important to you, something that actually means something. George said there’s three levels of comedy:
Funny with good ideas.
Funny with good ideas and compelling language.
It’s great advice.
People are blown away that George Carlin actually threw away an act and wrote an entirely new act each and every year. One of the reasons is we are often taught that it’s really hard to come up with material. And it is sometimes, but so what? Who said it was going to be easy, right?
There are other reasons we fight that urge to write. In some comedy classes, teachers actually say to their students, “if you write one new joke every week, at the end of the year you’ll have fifty-two new jokes and I think, What?! Hey, if you’re a television writer and you write one new joke every day, you’re fired!
Bottom line is this: George Carlin taught us that ideas are a dime a dozen. As comedians, we are an endless fountain of material, we just have to dig deep to find it.
Enjoy the video! Louis has earned the right to pay this tribute. He is probably the next George Carlin.
Before I begin, it’s important to reiterate that “How To Be A Famous Comedian” is a series in my comedy blog dedicated, not to show how to be a famous comedian, but to show the path to getting work, which includes learning the craft of humor writing and comedy performance along with the trials and tribulations of the business that surround this art form. I’ve said it before and I’ll say it again, if you’re goal is only to learn how to be a famous comedian, you’ll have much better luck getting press by knocking over a string of 7-11’s, than doing stand up comedy. Comedy requires hard work, persistence and a bit of luck, but with the right combination of having a firm grasp on writing comedy, developing your comedy performance skills, as well as navigating the business, you can make a pretty darn good living pursuing a career in an incredible art form.
Wow! I am always amazed at where I find information that teaches me lessons that I can continue to apply as I move through this amazing business. I was reading an article on the rise and fall of the Dana Carvey Show, a show that was cancelled after like 3 episodes, (It taped 5). You might ask yourself how does this teach anything? It failed! And how does it apply to the theme of “How To Be A Famous Comedian?”
As comedians or we have to remember that show business is two words and we have to emphasize both words. Writing great material and learning to master performance are key skills, but the famous comedian (and Dana Carvey certainly fits that bill), also knows how to navigate the business. Do they make mistakes? Sure! This article helps us all learn from the mistakes that were made in getting The Dana Carvey Show on the air and why a show that could have survived, died a certain death. It also teaches us about the people involved and we get to hear their thoughts. It makes it a more human process and helps to light the fire in all of us.
We spend a good portion of our careers thinking that the executives and the stars are above us. So far that they are out of reach. Reading articles like this one will help to assure you that everyone started somewhere. Did you know that Steven Colbert was Steve Carell’s understudy at Second City? Did you know that Saturday Night Live often holds auditions for their show in the Summer?
This information is important to read. You get to see that some of the famous comedians that did make it also went through periods where they didn’t make it. They got passed on for roles. You get to understand that it happens to everyone. That’s all part of how to be a famous comedian. Try then fail. Back to work. Try then fail again. Back to work. Try, then succeed.
When you read the article, make notes. Learn from the article. Learn the names. These are important people to be familiar with. You should do this with every article you read. It will help in your journey to learn how to be a famous comedian. Or have fun and success trying.