Getting Gigs – Student Byron Valino Hits the Road

byron valino

The dream is to stand on stage, hold that mic and tell your jokes, do your bits, get some laughs.

Then you usually want to do it again… and again. But after doing the mics around town and getting in more than your fair share of ‘bringer’ shows, something gnaws at you to move beyond that. You want to do it in front of a ‘real’ audience.

Some of you might even have the desire to take your act on the road for a spell.

And get paid.

So how do you do get to go on the road and get paid? In a word, the answer is ‘work.’

Hard work.

Getting the Gigs is About Work and Relationships

Usually in order to hit the road these days you need to have about thirty minutes of material. Being able to get up in front of an audience and do thirty minutes, a solid thirty, qualifies you to work as a ‘feature act.’ A feature act is usually the comedian who goes on after the emcee and before the headliner.

So Byron writes and he writes and he writes. He’s got all his jokes organized in his Evernote app. Every class he brings in the new material he’s working on along with some of his older stuff.

We tweak the new material, tighten the structure, clarify the associations that sometimes keep the joke from tracking clearly, we add act-outs, tags, toppers, etc.

Taking the notes from the feedback in class and adding it to the material helps the material develop faster and helps you reach your laugh-point goals. The class also gives Byron a weekly writing goal.

The second thing that Byron does well is he goes out to the mics. He mingles. He meets people. That’s how he got this gig.

In my classes, I also hook up comedians (who are ready) with some of the bookers I have relationships with, who book these gigs.

Sometimes, just a word to the booker can help that booker feel like they are making a more informed decision to book a new comedian.

 

Getting the gig is only one step. Now you gotta hit the road, shake off the nerves and get up on stage in a strange place with a new kind of pressure.

A Comedian Must Learn to Take Some ‘Bullets’

On the road, the feature act has to take some bullets.

In an ‘A’ comedy club, there is usually a house emcee who does about ten minutes and warms up the audience.

But in a one-niter club, it’s a little different. You’re usually in a converted bar, or showroom of some sort and the emcee is a bartender or a local guy who gets up and tells a joke or two (if you’re lucky), then introduces the feature act; sometimes in a way that barely resembles and introduction.

Most of these guys haven’t had any training, they haven’t really warmed up the audience… they just bring you up to a cold room and a cold stage. As a result, the feature comedian is now responsible for warming up the audience, getting some laughs and keeping their attention.

Sometimes it takes a few minutes; in some cases, thirty minutes.

That’s why we call it ‘taking bullets.’

But if you’ve done your work, if you’ve put in your time and you display your showmanship; never letting them see you sweat, following through with your professionalism and your ‘A’ material, then you could do really well…

… and if you’re smart, you’ll learn a thing or two.

Or a million things.

Byron Hits The Road

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Mill Casino Coos Bay, Oregon

That’s what Comedy Clinic student, Bryon Valino did last week. He hit the road, went up to Oregon and performed at the Mill Casino in North Bend. His first ‘road’ gig.

The feedback was solid. He got good laughs in the early show, with the older crowd and didn’t get as many laughs in the later show, with the younger crowd.

Byron’s worked other show situations in town and out to get him prepared for the road gig. He did some college shows for Cal State Northridge and he booked a local comedy club with comedian and friend Tony Ming and they put butts in the seats and did 20-30 minutes each to get prepared.

Byron’s got some solid material. His delivery is somewhere between a version of Steven Wright and Anthony Jeselnik. It’s not fast, it’s not super edgy or tremendously energetic. But he is funny.

It’s one of those acts that needs the audience to pay attention. He’ll do great in ‘A’ clubs where the audience is there to do one thing; watch comedy, but in some of the road rooms, the comedy show is just a way to kill time, maybe get drunk before going dancing or to a party or to ‘hook up.’ In those rooms, you learn to work a lot harder.

Why Do Those Gigs?

Some people ask if those gigs aren’t as great, why do them? For that answer we might ask the mountain climber why he climbs Kilimanjaro; ‘Because it’s there.’

Those gigs give you chops. They give you a great place to practice doing your thirty. They build you stronger and faster and sharpen your instincts like nothing else. And like climbing Kilimanjaro, you could die.

In a nutshell, when you learn to play the road, you can play anywhere.

It Helps to Work with a Good Headlining Comedian

When you play the road, you come back a better performer. Instantly more seasoned and with a fire to do more, work harder and get back out there. Especially if you were lucky enough to work with a good and helpful headliner.

tommy savitt

Tommy Savitt

Bryon worked with Tommy Savitt. Tommy is an award-winning comedian who’s been on the road almost as long as I have. Tommy has done T.V. and toured all over the world. Tommy’s got chops. He’s also got compassion and he chatted with Byron both before and after his sets.

So Byron did the work, developed his set, hit the road and did his thirty minutes.

Can’t wait to see him again in class. He’ll be sharper, stronger, fearless and ready to develop more material. Because something tells me he’s got a new goal; to get to sixty minutes.

You Rock, Byron! Keep up the solid work, soon it will be your name on the Marquis!

Take a moment to leave a comment below and send a shout out to Byron!

“You Changed My Life!” Can You Turn a Supermodel into a Comedian?

Can you turn a supermodel into a comedian?

Eugenia Kuzmina Comedian

I’ve been comedian for nearly thirty years. I have been coaching comedians, (formally), for about six years. During that time I’ve had a lot of thrills, but nothing can replace the feeling you get when you receive a text like this:

eugenia kuzmina text screenshot

“You changed my life.”

Woah. Humbling.

About two years ago, I was sitting at home writing and the phone rang. The voice on the other end of the line was a woman’s. There was an accent. I couldn’t figure it out where it was from.

You know when you can’t quite figure out the accent right away?

The woman’s voice said, “Hello. I’m so glad you answered. My name is Eugenia Kuzmina. I am a model and I want to be a stand-up comedian.”

“Tell me about yourself,” I said. She said she was Russian and that she had always been interested by stand-up comedy and that I came highly recommended. (I’ll take flattery anywhere I can get it so, listened further).

I was on the fence as to whether or not I wanted to take her on as a student. I believe you can teach anyone the craft of comedy. I’ve taught people who I was told were the “most unfunny person I’ve ever met,” and I’ve taught people with brain damage and I’ve learned long ago not to prejudge anyone’s ability.

I got beyond that a long time ago. There have been too many young comedians, athletes and musicians have proved me wrong.

But I was busy and I didn’t want someone who was going to be a headache. So I said to this model: “I’m going to send you an email with an introduction. Let’s pretend that I am an emcee introducing you on the stage. I want you to answer the email and come up with a response that you think is funny.”

In the email said: “Ladies and Gentlemen, our next performer comes to us from the world of high fashion. In fact she must be really hungry because I just saw her in the green room devouring an entire Tic-Tac. Please help me welcome, Eugenia Kuzmina!”

About twenty minutes later, I received an email from Eugenia. Her response was: “Devouring an entire Tic-Tac. That is funny, but not true. I am a model, I would never eat an entire meal at one sitting…”

We booked our first meeting.

Since then, Eugenia has appeared the World Famous Comedy Store a number of times, she has signed with several new agents (because of stand-up), and recently booked her first appearance as a comedian in Las Vegas in the Paul Scally Show at the Grand Hotel.

Now Eugenia has been doing some impromptu sketch comedy, pulling pranks with the public, including a prank she pulled in France at the Cannes Film Festival that has studios requesting meetings… to do comedy.

So can you turn a supermodel into a comedian? Time will tell, but I think the answer is leaning toward a resounding “YES.”

Now, I know some people are going to get upset about this post. Some might suggest that I’m focusing on what society might consider as “pretty.”

The point of this post is not to create an argument about who or what is ‘pretty’ in this business. The point of the post is to direct attention to the fact that the face of comedy is changing.

Traditionally, women who were considered “pretty” weren’t looked at as serious comedians. But as a comedian, part of what I do is to shatter the status quo.

I’m a firm believer in the fact that females can be funny. I believe that the precedent that was set by Johnny Carson set nearly thirty years ago when he said that pretty women don’t belong in comedy was flawed.

Not only that, I believe that they don’t have to play down their femininity to get a laugh. Amy Schumer has been proving that and I’ve had several female comedians in my classes who are beautiful AND funny who’ve gone on to have success.

I’ve coached the lovely actress Sascha Knopf, to help her reach the finals of California’s Funniest Female,

Sascha Knopf Comedian

I worked with Andi Wagner-Barton (bottom-left) who went on to get an agent, book several commercials and her first role in a film.

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And I’m fortunate enough to work with the lovely and feisty Laura Lee Botsacos. Who just booked her first paid gig at Aces Comedy Club in Murrieta, CA.

It’s fun and heart-warming to be a part of a movement that has (pardon the pun) dug its heels into the comedy scene around the globe and is changing the perception of what has been traditionally recognized as funny.

So ladies, whether you’re a supermodel or an athlete; a mom or a nerd, if you’ve thought about doing stand-up, (or taking a class)–just like these ladies–success on the comedy stage could be just around the corner.

Drop by the Comedy Clinic to say “hi,” or sit in a class. Our comedy community is amazing and supportive. And in our green room, we even have Tic-Tacs.