Getting Gigs – Student Byron Valino Hits the Road

byron valino

The dream is to stand on stage, hold that mic and tell your jokes, do your bits, get some laughs.

Then you usually want to do it again… and again. But after doing the mics around town and getting in more than your fair share of ‘bringer’ shows, something gnaws at you to move beyond that. You want to do it in front of a ‘real’ audience.

Some of you might even have the desire to take your act on the road for a spell.

And get paid.

So how do you do get to go on the road and get paid? In a word, the answer is ‘work.’

Hard work.

Getting the Gigs is About Work and Relationships

Usually in order to hit the road these days you need to have about thirty minutes of material. Being able to get up in front of an audience and do thirty minutes, a solid thirty, qualifies you to work as a ‘feature act.’ A feature act is usually the comedian who goes on after the emcee and before the headliner.

So Byron writes and he writes and he writes. He’s got all his jokes organized in his Evernote app. Every class he brings in the new material he’s working on along with some of his older stuff.

We tweak the new material, tighten the structure, clarify the associations that sometimes keep the joke from tracking clearly, we add act-outs, tags, toppers, etc.

Taking the notes from the feedback in class and adding it to the material helps the material develop faster and helps you reach your laugh-point goals. The class also gives Byron a weekly writing goal.

The second thing that Byron does well is he goes out to the mics. He mingles. He meets people. That’s how he got this gig.

In my classes, I also hook up comedians (who are ready) with some of the bookers I have relationships with, who book these gigs.

Sometimes, just a word to the booker can help that booker feel like they are making a more informed decision to book a new comedian.

 

Getting the gig is only one step. Now you gotta hit the road, shake off the nerves and get up on stage in a strange place with a new kind of pressure.

A Comedian Must Learn to Take Some ‘Bullets’

On the road, the feature act has to take some bullets.

In an ‘A’ comedy club, there is usually a house emcee who does about ten minutes and warms up the audience.

But in a one-niter club, it’s a little different. You’re usually in a converted bar, or showroom of some sort and the emcee is a bartender or a local guy who gets up and tells a joke or two (if you’re lucky), then introduces the feature act; sometimes in a way that barely resembles and introduction.

Most of these guys haven’t had any training, they haven’t really warmed up the audience… they just bring you up to a cold room and a cold stage. As a result, the feature comedian is now responsible for warming up the audience, getting some laughs and keeping their attention.

Sometimes it takes a few minutes; in some cases, thirty minutes.

That’s why we call it ‘taking bullets.’

But if you’ve done your work, if you’ve put in your time and you display your showmanship; never letting them see you sweat, following through with your professionalism and your ‘A’ material, then you could do really well…

… and if you’re smart, you’ll learn a thing or two.

Or a million things.

Byron Hits The Road

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Mill Casino Coos Bay, Oregon

That’s what Comedy Clinic student, Bryon Valino did last week. He hit the road, went up to Oregon and performed at the Mill Casino in North Bend. His first ‘road’ gig.

The feedback was solid. He got good laughs in the early show, with the older crowd and didn’t get as many laughs in the later show, with the younger crowd.

Byron’s worked other show situations in town and out to get him prepared for the road gig. He did some college shows for Cal State Northridge and he booked a local comedy club with comedian and friend Tony Ming and they put butts in the seats and did 20-30 minutes each to get prepared.

Byron’s got some solid material. His delivery is somewhere between a version of Steven Wright and Anthony Jeselnik. It’s not fast, it’s not super edgy or tremendously energetic. But he is funny.

It’s one of those acts that needs the audience to pay attention. He’ll do great in ‘A’ clubs where the audience is there to do one thing; watch comedy, but in some of the road rooms, the comedy show is just a way to kill time, maybe get drunk before going dancing or to a party or to ‘hook up.’ In those rooms, you learn to work a lot harder.

Why Do Those Gigs?

Some people ask if those gigs aren’t as great, why do them? For that answer we might ask the mountain climber why he climbs Kilimanjaro; ‘Because it’s there.’

Those gigs give you chops. They give you a great place to practice doing your thirty. They build you stronger and faster and sharpen your instincts like nothing else. And like climbing Kilimanjaro, you could die.

In a nutshell, when you learn to play the road, you can play anywhere.

It Helps to Work with a Good Headlining Comedian

When you play the road, you come back a better performer. Instantly more seasoned and with a fire to do more, work harder and get back out there. Especially if you were lucky enough to work with a good and helpful headliner.

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Tommy Savitt

Bryon worked with Tommy Savitt. Tommy is an award-winning comedian who’s been on the road almost as long as I have. Tommy has done T.V. and toured all over the world. Tommy’s got chops. He’s also got compassion and he chatted with Byron both before and after his sets.

So Byron did the work, developed his set, hit the road and did his thirty minutes.

Can’t wait to see him again in class. He’ll be sharper, stronger, fearless and ready to develop more material. Because something tells me he’s got a new goal; to get to sixty minutes.

You Rock, Byron! Keep up the solid work, soon it will be your name on the Marquis!

Take a moment to leave a comment below and send a shout out to Byron!

“You Changed My Life!” Can You Turn a Supermodel into a Comedian?

Can you turn a supermodel into a comedian?

Eugenia Kuzmina Comedian

I’ve been comedian for nearly thirty years. I have been coaching comedians, (formally), for about six years. During that time I’ve had a lot of thrills, but nothing can replace the feeling you get when you receive a text like this:

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“You changed my life.”

Woah. Humbling.

About two years ago, I was sitting at home writing and the phone rang. The voice on the other end of the line was a woman’s. There was an accent. I couldn’t figure it out where it was from.

You know when you can’t quite figure out the accent right away?

The woman’s voice said, “Hello. I’m so glad you answered. My name is Eugenia Kuzmina. I am a model and I want to be a stand-up comedian.”

“Tell me about yourself,” I said. She said she was Russian and that she had always been interested by stand-up comedy and that I came highly recommended. (I’ll take flattery anywhere I can get it so, listened further).

I was on the fence as to whether or not I wanted to take her on as a student. I believe you can teach anyone the craft of comedy. I’ve taught people who I was told were the “most unfunny person I’ve ever met,” and I’ve taught people with brain damage and I’ve learned long ago not to prejudge anyone’s ability.

I got beyond that a long time ago. There have been too many young comedians, athletes and musicians have proved me wrong.

But I was busy and I didn’t want someone who was going to be a headache. So I said to this model: “I’m going to send you an email with an introduction. Let’s pretend that I am an emcee introducing you on the stage. I want you to answer the email and come up with a response that you think is funny.”

In the email said: “Ladies and Gentlemen, our next performer comes to us from the world of high fashion. In fact she must be really hungry because I just saw her in the green room devouring an entire Tic-Tac. Please help me welcome, Eugenia Kuzmina!”

About twenty minutes later, I received an email from Eugenia. Her response was: “Devouring an entire Tic-Tac. That is funny, but not true. I am a model, I would never eat an entire meal at one sitting…”

We booked our first meeting.

Since then, Eugenia has appeared the World Famous Comedy Store a number of times, she has signed with several new agents (because of stand-up), and recently booked her first appearance as a comedian in Las Vegas in the Paul Scally Show at the Grand Hotel.

Now Eugenia has been doing some impromptu sketch comedy, pulling pranks with the public, including a prank she pulled in France at the Cannes Film Festival that has studios requesting meetings… to do comedy.

So can you turn a supermodel into a comedian? Time will tell, but I think the answer is leaning toward a resounding “YES.”

Now, I know some people are going to get upset about this post. Some might suggest that I’m focusing on what society might consider as “pretty.”

The point of this post is not to create an argument about who or what is ‘pretty’ in this business. The point of the post is to direct attention to the fact that the face of comedy is changing.

Traditionally, women who were considered “pretty” weren’t looked at as serious comedians. But as a comedian, part of what I do is to shatter the status quo.

I’m a firm believer in the fact that females can be funny. I believe that the precedent that was set by Johnny Carson set nearly thirty years ago when he said that pretty women don’t belong in comedy was flawed.

Not only that, I believe that they don’t have to play down their femininity to get a laugh. Amy Schumer has been proving that and I’ve had several female comedians in my classes who are beautiful AND funny who’ve gone on to have success.

I’ve coached the lovely actress Sascha Knopf, to help her reach the finals of California’s Funniest Female,

Sascha Knopf Comedian

I worked with Andi Wagner-Barton (bottom-left) who went on to get an agent, book several commercials and her first role in a film.

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And I’m fortunate enough to work with the lovely and feisty Laura Lee Botsacos. Who just booked her first paid gig at Aces Comedy Club in Murrieta, CA.

It’s fun and heart-warming to be a part of a movement that has (pardon the pun) dug its heels into the comedy scene around the globe and is changing the perception of what has been traditionally recognized as funny.

So ladies, whether you’re a supermodel or an athlete; a mom or a nerd, if you’ve thought about doing stand-up, (or taking a class)–just like these ladies–success on the comedy stage could be just around the corner.

Drop by the Comedy Clinic to say “hi,” or sit in a class. Our comedy community is amazing and supportive. And in our green room, we even have Tic-Tacs.

When You Do the Work…

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Just wanted to post a quick shout-out to my boy Joshua Jackson.

Joshua just won the Clairmont Comedy Competition in–of all places–Clairmont, California.

I was humbled that Joshua thanked me in his celebratory post on Facebook.

Josh attended the Stand Up Comedy Clinic for a while and busted his butt developing his act.

Week after week Josh went from a guy who didn’t do a lot of stand-up to really developing into someone who understood the fundamentals.

Every week Josh showed up to class early, asked questions before class, was not afraid to disagree when something wasn’t working, and applied the new lessons he learned to his material.

Then what happened?

Every week he would get better. His act got tighter.

He had a terrific showcase set at the end of the class session.

Then he’s continued to develop by performing and learning and finding his voice, knowing that stand-up comedy is a blend, a craft of comedy structure and genuine persona.

Stand-up is not just getting up there and telling stories. Stand-up is about consistency; being able to get up there night and after night and deliver.

Comedy is about your character trying his best and continuously bumping into obstacles along the way. That is the underlying structure to all comedy.

It’s structure that gets the laughs gets the bookings and wins competitions. If you look at the sets on T.V., they are structured. You look at all the successful comedians, they use structure.

Which is why we teach it at the Comedy Clinic. Structure pays off and it’s what gets you the laughs per minute that are coveted by talent coordinators and bookers.

Laughs. That’s an interesting concept, huh? Trigger the laughs in the audience consistently–every 18-20 seconds, (that’s what they want at the clubs and on T.V.), and you will find yourself winning more competitions, booking more gigs and getting more work.

At the Comedy Clinic, we have broken comedy down into a science. Combining the science of laughter, (the 9 psychological laughter triggers that are hard-wired into our brains), with the 13 proven comedy structures that are used by all the top comedians.

Using the mechanics of comedy combined with your true persona and performance, delivers the best, crisp, laugh-filled comedy.

Our comedians prove it time and time again.

Great work Josh. I appreciate the shout-out, but remember I just gave you tools; YOU did the work!

Rock on!

Checkout our new upcoming classes and see if you’ll be the next winner of the next competition.

And while you’re at it, give a shout-out to Josh over on his page on Facebook.

Conan O’Brien Just Could be a Stand-up’s Best Friend

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Doing your stand up on Late Night T.V. can be your big break as a comedian. Well, unless you’re Madonna doing stand-up on The Tonight Show with Jimmy Fallon.

I won’t get into that face-plant into a steamy pile of dog food by-product. I think that gimmick–at least for me–dropped my opinion of Fallon’s show; certainly with regard to it’s appeal for comedians.

When Johnny Carson was still on the air. The Tonight Show was the pinnacle. If a comedian could get on the Tonight Show and get that nod from Johnny to sit on the couch, then you could almost write your own ticket.

Currently, for comedians and their futures, it seems that Late Night has lost that sizzle…

Or has it?

Here’s a great article over at Paste Magazine that gives you a glimpse, from the inside, of how Conan OBrien’s show has now become a “stand-up’s best friend.”

This little post is not to imply that none of the other shows give a comedian that extra boost on their resume, because they do, but Conan seems to be the only one of the Late Night hosts who has followed Carson in his avid support of stand-ups.

Letterman doesn’t have that many on, Fallon would rather have famous people on the show than give a new comedian a shot, James Cordon hasn’t been on the air enough to gauge his propensity and Kimmel–well, Kimmel does support stand-ups, in my view, and seems to give them the freedom to bring  a little more bite to Late Night, a little more edge than some of the others, but still doesn’t have as many stand-ups on his show as Conan.

But Conan, hands down, takes it win it comes to the real showcasing of new stand-ups. He’s even booked two stand-ups on one episode, more than once. Not as a double-booking, but as part of the production.

Who does that?

I think every comedian should groom their four-and-a-half minutes to get it prepared for Late Night. That should be a target goal.

Getting a set on T.V. is a game-changer.

When you get into the article you’ll discover how many comedians got other breaks in the business once they got their set on Conan.

But before you run over there to Paste to check out the article consider these suggestions:

  1. Make note of the Talent Coordinator at Conan, (Put him into your contact database)
  2. Read attentively and look at the suggestions of what they look for at Conan
  3. Run over to TeamCoco’s page on YouTube and study the comedians and their Late Night sets.
  4. Notice their structure and their pacing. (Late Night pacing is a lot slower than you might imagine; bigger pauses)
  5. Start putting together your own idea of what your 4.5 minutes will look like.
  6. Be sure to keep in mind that on Late Night, that first joke is crucial. Gotta be tight.
  7. Finally, realize that the sets use tight structure.

So set your goals and your target for Conan (or any Late Night show), and get to  work.

In the meantime, give a shout-out to comedian, Grant Pardee, (the article’s author), and follow him on Twitter @grantpardee.

New Comedy Club Opens in Lansing Michigan

trippers comedy club

Hey Road Dogs!

A new comedy club has opened in Lansing Michigan. Woo-Hoo!

According to WLNSNews.com in Lansing, Trippers Comedy Club has opened it’s doors.

For those of you out there and working the road, it could be a few days that you can fill in a long road schedule.

Manager Jason Burkhart says that the club is going to be having shows on Thursdays at 9pm and Friday and Saturdays at 8pm and 10pm.

Great News for Lansing

That’s great news for that area of the country. As they were lacking in a club since Connxtions closed their doors last year.

Also good news, the club is going to be booked by the folks at the Funny Business Agency. So for those of you who already know John and Eric Yoder and the rest of the family, you already sort of have an “in.”

Those of you who don’t, I suggest getting an intro so you can have another club to add to your Contact Sheet of Clubs and Bookers.

And what I mean by that is this: Drop what you’re doing right now. Click those links and get those guys into your file system of bookers and clubs, then schedule a time to call or find a way to drop into the club, say to say hello.

And if you don’t have a file system for your bookers and club owners, start creating one.

Do you have a method for keeping track of your bookers? If so, leave a comment below. I’d love to hear how you keep your contacts organized!

Go get ’em!