Recently I got an e-mail from a guy who said, â€œJerry, Iâ€™ve been reading your stuff and Bill Burr doesnâ€™t use any of the structures you talk aboutâ€¦â€
Bill Burr has quickly become one of my favorite comedians. Heâ€™s intelligent. Heâ€™s crafty, and the dude is wickedly funny!
Heâ€™s narrowed down his demographic to mostly male 18-44. Although he can resonate with a broader demo, this is his core.
Burr has balls because even in our overtly politically correct world, he tackles issues that can cause a rift; mostly with women.
Grab Burr’s latest comedy DVD “You People Are All The Same” Here. (C’mon people! It’s Five Bucks!)
But heâ€™s no different than any other comedian who gets laughs. Where the laughs are you will find him using a variation of the 12 Comedic Structures and the 8 Major Laughter Triggers, that I teach in my comedy classes and breakdown in my e-Book.
Iâ€™m going to approach the first few minutes of this bit of Bill Burrâ€™s, almost line by line, and offer suggestions as to why the bits work so well. This way you can see how the things I teach, work. Even in a rant-style like Burrâ€™s.
Play the video then and follow along the with assessment and PLEASE leave comments. Even if you disagree. Weâ€™re here to learn!
Here we goâ€¦
First of all pay attention to Billâ€™s technique. His point of view is clear. Heâ€™s a Cynic with a capital â€˜C.â€™ But what makes it work is that he keeps this wicked, mischievous smile all the way through. CLASSIC! Itâ€™s his way of saying to his audience, â€œI donâ€™t take myself too seriouslyâ€¦ notice the funny here folks!â€
Itâ€™s that smile that makes him likeable. Kind of the guy you want to have a beer with.
Iâ€™ve spent a lot of time arguing that structure is key to getting laughs. Bill uses structure just like any other comic. He just finesses it and disguises it, as you would disguise exposition in a script.
Below weâ€™ll go line-by-line. Bill Burrâ€™s lines will be in yellow. My running commentary (if you give a shit) will be in white.
â€œIâ€™m afraid to get married, manâ€¦
Perfect. Sets up dilemma. Even though Iâ€™m up here on stage, I have fears too. Plus itâ€™s very conversational. When itâ€™s a conversation, the punch usually comes with more surprise because weâ€™re not expecting a joke.
What man wouldnâ€™t be afraid to get married at this point? Look at Kobe. Look at the shit heâ€™s going through right now.
Audience laughs. Why? Surprise and Recognition We recognize Kobe and his situation while at the same time weâ€™re surprised that Burr would choose Kobe Bryant as a guy we should empathize with.
Guyâ€™s gettinâ€™ a divorceâ€¦ his wife is gonna get seventy million bucksâ€¦ never hit a layup in her lifeâ€¦.
Audience laughs. Why? Recognition, incongruity and simple truth. By saying, â€œnever hit a layup in her life,â€ he puts an instant image of Kobeâ€™s wife in our minds doing a layup! For some of you, your image may have her in a Lakersâ€™ uniform. Thatâ€™s both recognition and incongruity, because our minds probably see her as the wife of an NBA star and not in a sweaty jersey and Burr puts her there in there on the boards at the base of the paint, doing a layup. He paints this incongruous picture for us and we laugh. Also, itâ€™s simple truth. Burr has taken the complex issue of legally awarding Alimony and narrowed it down to: â€œshe never hit a layup in her life.â€ True and Simple.
NOTE: Youâ€™ll notice that Bill Burr is an avid sports fan. Within his act youâ€™ll find multiple sports analogies, euphemisms and metaphors.
Can anyone explain these divorce settlements? Can anyone make sense of them? Tiger Woodsâ€™ wife: Two Hundred and fifty million dollars! Sheâ€™s a babysitter! Worth a quarter of a billion fucking dollars!â€
Two fascinating things going on here. The incongruity that befalls on the fact that a babysitter is getting two hundred and fifty mil is funny because of the huge incongruity, but this audience pulls back a little. But Burr uses this tension build to challenge the audience and further make his point. Notice: Heâ€™s still smiling!
Somebody explaiâ€”justify it. Justify it! What? He cheated on her? I donâ€™t give a fuck! I donâ€™t give a fuck! He cheated on her. The relationships over right then. Kobe cheated right? Shouldnâ€™t that relationship been over right then? Why did she hang out for three years like some jaded cop trying to get her fuckinâ€™ pension? Right? Get that ten years in?
Audience Laughs. Why? Give you one guess; INCONGRUITY. Here he even uses the â€œis-likeâ€ formula to get the incongruity in place. â€œWhy did she hang out for three years like some jaded cop trying to get her fucking pension?â€ Once he set up that incongruity play, then audience laughs. Then he tags it with â€œGet that ten years inâ€¦â€
NOTE:You should take note that Burr laughs out loud at this point. Keeping the flavor of the entire show in a humorous light. Cynical, but humorous! Brilliant! Itâ€™s theater science that the audience is in whatever state the performer is in, so when Burr laughs he keeps the audience in a humorous mood.
Audience Laughs and Applauds. Why? The statement is surprising and a bit shocking. Itâ€™s simple truth (based on the information heâ€™s given us up to this point).Â Burr also sets up his dilemma of still trying to figure this shit out with â€œI donâ€™t know. Maybe thatâ€™s too harsh.â€Â So heâ€™s never saying, â€œThis is the only truth and if you donâ€™t like it, get the fuck out.â€ Itâ€™s more like, â€œIâ€™m still trying to figure this out too!â€ Whenever I hear this line it reminds me the way George Carlin used shock and exaggeration by opening with the line: â€œYou ever notice that women who are against abortion, are women you wouldnâ€™t want to fuck anyway?â€
â€¦.and every night I put on the news and Iâ€™m waitinâ€™ for someone to address it. Every night. Never see it. Yâ€™know? And every night, I bring up 'gold-digging whoresâ€™ and the whole crowd pulls back like Iâ€™m talking about â€˜Bigfoot,â€™ alright? Like Iâ€™m saying the moon is made out of cheese or somethin.â€™
Audience Laughs. Why? Recognition and Release. Release; He spent time talking about gold-digging whores and built up tension. Steve Martin said that comedy is about tension and release. Well he builds up tension and then points out that the audience is pulling back, â€œlike Iâ€™m talking about Bigfoot.â€ Notice he uses â€œlikeâ€ again. Doing a comparison to something unrelated and something we recognize. We also recognize the situation when someone starts talking conspiracy that people tend to pull back.
Iâ€™m talking about whores people! Theyâ€™re everywhere!
Shock value (Surprise). And notice he delivers this harsh line while he sporting that wicked smile. Itâ€™s brilliant incongruity. You ever see a movie where the villain is spraying the bank with machine gun fire while the soundtrack is playing some playful circus music like â€œEntry of the Gladiators.â€ Same cool technique. Like a point-counterpoint in music. He saying a harsh phrase while wearing a smile. Awesome!
How many? How many more great men are gonna get chopped in half before we do somethinâ€™? (Pause) Why is it so quiet in here?!
This is awesome RELEASE! Using the audienceâ€™s own political correctness tension and just putting it under a spotlight by acknowledging the tension with the smile! Gets the audience to release that tension. This is how powerful RELEASE can be. Thereâ€™s a wave of energy from the audience!
One thing you notice with Burr, is that his emotions are always clear. You know exactly how he feels about what heâ€™s talking about. This is very important in stand-up comedy. Thatâ€™s how a performer connects to his audience; through emotion. Even if an audience doesnâ€™t agree with your ideology, they can still relate to the way you feel about it and recognize that, because theyâ€™ve felt that same way about something in their lives too.
Iâ€™m not calling any woman in here a whore. So donâ€™t pull back. Thatâ€™s not fair. If you brought up â€˜wife-beatersâ€™ I wouldnâ€™t pull back. I get it. Thereâ€™s guys hittinâ€™ women and they need to be stopped. But you gotta understand that gold-digginâ€™ whores are the wife-beaters for men.
Audience Laughs. Why? INCONGRUITY. When Burr says,Â â€œyou gotta understand that gold-digginâ€™ whores are the wife-beaters for men,â€ Isnâ€™t that like saying â€œare like the wife beaters for men?â€ So heâ€™s juxtaposed the two elements. They laughed at that incongruity. Now heâ€™ll tag it with something from the wife beater section that we all recognize and give us an act-outâ€¦
But itâ€™s not obvious. Itâ€™s in the eyes. Itâ€™s in the lines in your face. Itâ€™s in Mel Gibsonâ€™s high-pitched voice on the answering machine, (ACT OUT: Mel Gibson on the phone): â€œI had to give up my Laker Tickets!â€ That is the sound of a man whoâ€™s being taken for everything heâ€™s got.
Audience Laughs. Why? RECOGNITION. Men experience abuse too in different ways. This compare and contrast and Recognition drives the point with laughter. AND they recognize the Mel Gibson phone message that got so much play on the news. Then he tags it. By reminding us what it is. Classic act-out structure; tell us what youâ€™re going to tell us, act it out, then tell us what you just told us.
Iâ€™ve got to tell you. Iâ€™m envious of women. Iâ€™m not saying your problems get solved, but at least theyâ€™re taken seriously. You know? You got one-eight-hundred numbers, you got ribbonsâ€¦ thereâ€™s groups. People give a shit. Anything happens to a guy itâ€™s just considered funny. Some woman cut her husbandâ€™s dick off, threw it in the garbage disposal and turned it on. People thought it was hilarious. They were like, â€œHey Stumpy!â€ Nobody cares!
Several laughs here. Why? Letâ€™s look at simple truth and recognition; â€œYou got 1-800 numbers, you got ribbonsâ€¦ thereâ€™s groups. Both factual (simple truth) and recognizable. But the bigger laugh comes with the compare and contrastÂ â€œAnything happens to a guy itâ€™s just considered hilarious!â€ Then Hey Stumpy! INCONGRUITY. What do you call a guy who had his dick cut off? â€œStumpy.â€
But the big laugh comes in the next few lines where Burr uses a three-way build-up (triple) and recognition combined. Huge laugh! The three-way build-up creates tension and the recognition pulls out the stops and BOOM! Laughter and applause.
You think if a guy removed a womanâ€™s titty and threw it in the drier, anybody would be jokinâ€™ about it the next day? The entire country would grind to a hault, there would be a moment of silenceâ€¦ (hereâ€™s the third of the 3-way build) The N.F.L. would have a special-colored headband everybody would have to wearâ€¦
When he says that line about the â€œspecial-colored headbandâ€¦,â€ do you get a clear image of the pink ribbons, etc. that the N.F.L. players wear during â€˜Breast Cancer Awareness Month?â€ Thatâ€™s definitely recognition at work!
We can go on and onâ€”as I cover this full 11:30 video in my classesâ€”and Iâ€™d love to because I love listening to Bill Burr. But this blog post would wind up being prohibitively long. And I think, by now, you get the idea! If you donâ€™t hit me with a comment and Iâ€™ll deconstruct the rest of it.
Listen closely to Burrâ€™s use of the phrase â€œis-like.â€ He uses it a lot. He often compares one thing to another then puts them both together in what is known as an incongruity/act-out.
Throughout the entire video he uses that powerful comedy structure. My favorite part is when he gets to the end of the act (right about the 11:15 mark) he compares a manâ€™s dick to a third-base coach, waving in runners.
Take a look and see Burrâ€™s brilliant use of this comedy structure and he pays it off and closes his set. Awesome!
Texture and Persona
Also listen to Burrâ€™s use of the language. He spits out metaphor and euphemism keeping the sentences interesting and edgy. Listen when he talks about Schwarzenegger. â€œWhy do you think she hooked up with him? Because of that nineteen eighties flat-top heâ€™s still rockinâ€™?â€ Burr accomplishes two things in this sentence; He mocks Schwarzenegger and also keeps it interesting with the choice of words.
Burr uses a variation of several comedy structures in his act, combined with his wicked smile and his commitment to his emotional point of view. He also takes on this challenging subject matter with a challenging ideology. This drives anxiety in the audience, creating tension. If you have tension sometimes all you have to do is acknowledge the reality that the tension exists and the audience will release it by laughing.
I still use that technique. When I talk about issues or deal with a crabby heckler and I feel like the audience is tense and quiet. I simply say something like, â€œDoes anyone else feel the tension in this room?â€ or I laugh through the end of this line: â€œIs it me or did it just get really hot in here?!â€
These are simple comedic devices you can use to release tension that builds up in the audience. Bill Burr uses it masterfully!
If you take anything away from this video, take away Burrâ€™s use of analogy to create humorous opportunities, (the â€œis-likeâ€ or variations thereof).
Burr uses it like his clutch-hitter in the line-up; when he needs the bases cleared and a big laugh to take him to the next segment, he brings in the big bat (incongruity/act-out) and he swings for the fences.
Love to hear your thoughts!
And don't forget to grab Burr's Comedy DVD. It's a brilliant lesson in finessing structure.