So you sit down to write and nothing happens. Now what? What causes your creative process to shut down?
There’s almost nothing more frustrating than not being able to write… I was going to say there is nothing more frustrating, but off the top of my head I came up with three: two had to do with passive aggressive ex’s, and one had to do with a phone call to Bank of America…who said there’s nothing to write about?!
One of the keys to learning how to be a comedian, is learning how to write solid comedy consistently. But…
One of the biggest dilemmas we have when we write comedy is that we’re always trying to think of “funny” or “weird” things to write about. That’s not necessarily the best approach. In fact, it’s probably the main cause of your block. Your brain goes into overload trying to think of funny things. So what do you do about it?
Write the truth. Comedy derives from truth. It starts with a simple story about your life.
One of the ways I like to write is by just writing about an event or an idea. Just putting down the facts on paper (or in my case, the computer). My only goal is to tell the story. It’s usually best if the event pissed me off or otherwise triggered an emotion. That emotion is my motivation for writing the story, but it’s not always necessary. I can also write it simply from the point of observation. Ultimately the quirky, odd, weird, stupid things appear, because aren’t they out there in everyday life anyway? The only way to get to them often is to write.
Once I have the idea on the page, I can go back over the material, in a second pass, and start to identify 3 things:
These are only 3 techniques, in the dozen or so available to a comedy writer, but they are extremely effective and can help you take a regular story and turn it into a comedy bit.
Let’s quickly look at each of these:
Analogy is the process of comparing one thing to another in an imaginary or metaphorical way. If one definition of a joke is “the convergence of two or more clearly identifiable ideas,” then analogy helps you to impose a secondary idea into your story and introduce comedy. It’s “automatic incongruity” and incongruity creates SURPRISE. Once you become familiar with incongruity you’ll realize that it is one of the best ways to learn how to write comedy
Having sex with my ex was a lot like working on the bench press at the gym; I always had to wipe it down and three guys were just there before me.
You would normally not think of putting bench pressing and sex with your ex together, but that’s exactly what triggers the humor. They don’t normally fit and therefore they create incongruity and in this particular case, clear, visual imagery.
Word play is one of the easiest ways to create “plays” or “turns” in your stories. Almost all words in the English language have multiple meanings. You simply take the implied meaning and turn it into a more exaggerated meaning. Because you shatter the expected meaning, you create surprise and have a laugh point within your story.
I was checking out at the grocery story and the clerk said, “Did you find everything you were looking for?”
I said, “Well, I found the wine and the candles, but I couldn’t find a soul mate. You had Mahi-Mahi, but I’m not into twins.”
The simple play on the word “everything” changes the entire nature of the story. Without spinning the intended meaning of the word “everything,” the story would simply fall flat. Right?
The number one trigger for human laughter is SURPRISE. One of the quickest, most effective ways to get there is using a structure called a “REVERSE.” You simply change the reader’s or listener’s perception of where the story was going, by quickly pulling the rug out from under them.
I was holding my 9-month old daughter on my lap and she was grabbing at my chest hair. So I wrote down: “My 9-month old daughter loves to grab my chest hair.”
In that sentence we have a very definitive statement. In order to create surprise, we must change the definitive to an assumptive. One of the definitives in the statement is: it’s “my” chest hair. So I ask myself, what can I do to change that to an assumptive? So the statement becomes:
I have a 9-month old daughter. You know what she loves to play with? Chest hair:
So now it is assumed that it’s my chest hair. So let’s play it like that, then shatter the assumption so we have a joke:
I have a 9-month old daughter. You know what she loves to play with? Chest hair:she’ll really pull on it too. I finally had to say to my wife, (pointing at her chest) ‘You might want to get that stuff lasered.’ (You can also use “waxed,” but I found that there were better laughs with the word “lasered.”
So now that you have these techniques, you can apply them to turn your stories into comedy. Tomorrow I will show you a story that was submitted to me by a student and I will show you the process of how I turn it into something funny.
***Please feel free to leave comments. I would love to hear from you!!!***