Comedy Clinic Student Wins CA Funniest Female!

pauline-yasuda

You know it’s a beautiful Memorial Day weekend in Burbank, California when the smell of barbecue overpowers and masks the usual combined Burbank stench of of smog and Glendale.

And while most people were enjoying food and drink in their backyards, (or stuck in traffic on the nearby I-5 because of a car fire in the center lane), comedians at Flappers Comedy Club were engaged in the battle of funny.

It wasn’t your usual fare of comedians; bitter, mostly white men sporting jackets on their torsos and five-o’clocks on their cheeks, flinging jokes about their ex’s, smoking too much weed or being broke.

This was a special breed of comic; a women’s-only club of comics, all competing for the prize of “California’s Funniest Female.”

I’ve argued that I think women can be feminine while still being funny in this business.

That’s why I am so proud to announce that one of my top students—Pauline Yasuda—just won the California’s Funniest Female Comedy Competition (www.funniestfemale.com)  last night at Flappers Comedy Club in Burbank, CA!

California’s Funniest Female Competition is produced by Bill Word, a veteran comedian and comedy producer in Orange County and boasts a line up of over 90 female comedians who compete for cash and prizes.

Even though the competition has the word “California” in it, there are no residential requirements so comedians have come from as far away as Ireland and Australia to compete.

One of the mantras I express in my classes is “Do the work.” I say that a lot.

If you have a grasp of the concept of structure and an understanding of the psychological laughter triggers, you can fill your writing—whether it be jokes, stories or your entire set—with triggered laugh points and engaging content, thus making your act not only laugh-filled but memorable as well.

And most of these competitions, where real judges are present, (as with this one), are not only about funny, but also about memorability.

If you’re a smart comic (and I know you are if you’re one of the 4 people who read my blog), then you will write that down, (“funny and memorability”).

Because, in her act, Pauline applies both.

Pauline is one of those comedians that gets it. She writes, re-writes, tests and re-writes again. Her work paid off and she took this competition by storm.

One of the judges commented to Pauline afterward and said, “To me, you were the clear winner! Great job!” Then he said to me, “Her comedy is unique, risky and memorable, without being crass or relying on profanity or pure shock to get laughs.”pauline-yasuda-jerry-corley

That’s because Pauline understands that comedy is about surprise and recognition. She applies that in her writing while still staying true to herself and the ultimate understanding of the concept that the audience needs to identify and empathize with the comedian and his or HER comedic persona.

Those of you who have followed my blog and have been in my seminars, you know that I’m a big fan of women in comedy. This business craves funny women and the trend has proved that to be true with funny females now being scooped up to star in sitcoms and movies.

Bridesmaids is a perfect example of this as being one of the first all-female cast comedy hits to hit the big screen and have enduring allure in video and streaming video.

The business is ripe.

So ladies, if you’ve been sitting on the sidelines because you don’t think you’re cut out for comedy or that women are not accepted in comedy, think again and jump in.

Pauline did and she’s now the Funniest Female in California!

Congratulations Pauline!

If you’ve thought about doing comedy or are interested in investigating the concepts of comedy and human laughter with a smarter and completely unique approach, then sign up for my free newsletter. You’ll receive free tips and lessons on creating material that gets response and hell, may even help you to win your next competition.

BUSTED! Comedian Caught Stealing Another Comic’s Material During ‘America’s Got Talent’ Taping?

America's Got Talent

The Greg Wilson is Accused of Stealing Another Comedian’s Material while recording America’s Got Talent

According to the story that I first read on Slashfilm.com, comedian-contestant, The Greg Wilson, was performing on “America’s Got Talent.” He went to his closing bit which was an act-out of a mimed argument of a couple arguing in a car.

The crowd loved it, the first two judges loved it. When they got to Howie, he asked the contestant, (The Greg Wilson), “Did you write this, or are you performing someone else’s material?”

OUCH!

Right there in front of the audience and the cameras at the Pantages in Los Angeles, he gets asked if he stole material!

DOUBLE OUCH!

To top it all off, Howie says that he knows the comic that does the bit in question. Then he reveals the name of the comic: “Frank Nicotero.” Some of you may say, “Who the hell is Frank Nicotero?” Well, Frank is a comic who has been around for quite a while. He’s smart and funny… and he also just happens to be the warm-up comedian for… (drum-roll please)…

AMERICA’S GOT TALENT!

So The Greg Wilson is being accused of stealing a bit from a comedian who (unbeknownst to him) is in the SAME ROOM!

DOUBLE OUCH with an “OH SNAP!”

Being accused of stealing material is a big deal in this business. It’s scummy. It’s pathetic. And it can ruin a reputation and possibly a career… isn’t that right Carlos Mencia?

But to be snagged while doing it for a television show that gets to broadcast out to tens of millions is epic!

Here’s where it gets a little gritty:

I watched both comedians performing the bit:

Here’s Frank Nicotero:

Here’s The Greg Wilson: (The Bit starts at 3:43)

See The Differences?

When I watched both of the videos my initial reaction was this:

This bit is a high concept bit that could easily be performed by two different comedians. We’ve all seen couples fighting in a car and I could see that two comedians could come up with similar bits on that concept.

Based on the two versions, I thought that Greg Wilson did a more concise job defining the different characters and acting them out, but…

Jay Leno said to me: “There are no ethics in this business. You have to write faster than everyone else and your reputation will precede you.”

[gn_quote style=”1″]Your reputation will precede you…[/gn_quote]

That’s where this conflict begins to sort itself out; and we can begin to answer the question of if the idea was stolen.

If we consider the fact that Frank Nicotero is a seasoned professional who has hosted a television show called “Street Smarts” for 5 years and has had additional success and has a reputation that is super solid in this business, the origination of the bit in question starts to become clear.

But this is what settled it for me…

According to people who know both guys, It’s said that The Greg Wilson KNOWS Frank and Greg has SEEN FRANK PERFORM THAT BIT for years. I mean the bit goes back to 1993 for Frank Nicotero. It has been Frank’s closing piece for a very long time.

That’s where it’s No Bueno.

It boils down to this: Having a reputation for being a solid writer and comedian with fresh ideas by actually doing the work and writing on a regular basis is crucial in developing your reputation.

By doing a comedy bit that is known to be a signature bit of another comedian, The Greg Wilson has created a dilemma for himself that he now needs to overcome. He has seriously tainted his reputation and that is now being spread via the internet and social media.

If this story continues to have legs, it could really have an impact on his career and what other people in this business think of him.

Also consider this: America’s Got Talent is a reality show. It stays on the air as long as the ratings stay high. Much of the ratings are driven by conflict and drama on the show and although Frank was told that The Greg Wilson’s bit will never be aired…

A decision might be made by the show’s producers to air the segment just for the sheer drama and conflict. It’s bound to drive ratings and new blog posts, shares on Facebook and tweets on Twitter.

This story doesn’t die here. It reanimates when the show airs in about 6 weeks for potentially tens of millions of viewers watching on T.V. and potentially millions in the blogosphere and social media all pointing to the headline of The Greg Wilson allegedly stealing Frank Nicotero’s routine and performing it on Television.

Your reputation precedes you, indeed.

Love to hear your thoughts on this situation pro or con…

Jerry Seinfeld Intends to Die Standing Up

seinfeld

If success leaves a paper trail, then Jerry Seinfeld could be hit with a littering fine.

Comedians; both aspiring and veteran should take a couple of notes from his interviews, especially this one!

Johah Weiner, (no relation to the former U.S. congressman or the hot dog), had the opportunity to interview arguably the most successful stand-up comedian in the business, in this excellent piece from the New York Times magazine.

This interview really gets Seinfeld to reveal not only his approach to stand-up, but his passion for it.

One thing to take note of in this interview is that Seinfeld looks at jokes as a process. He writes and rewrites, tests and rewrites again to find the right words to make the joke work.

He’s more than just a comedian; he’s a word-smith.

I’ve been a big fan of Jerry Seinfeld since the first time I saw him on a show called the “Celebrity Caberet” in 1977. It is his first appearance on T.V. and the link includes a little clip of him doing a bit on a roller-coaster through the ghetto.

Makes you wonder whether that bit would play today, given our environment of political correctness.

Needless to say, if you’re into comedy, you should NOT miss this article!

Then give me a comment, let me know what you think!

Tom Hanks Drops An “F Bomb” on G.M.A.

tom hanksWell, I’ve been saying it for years… ‘Good Morning America and Elizabeth Vargas could use a good F*ck."

That would definitely help with the ratings! And what better person to deliver it than the always lovable, Tom Hanks. Yep, ‘THE’ Tom Hanks. The one that all of America adores.

He was making an appearance to pimp his new movie ‘Cloud Atlas,’ where he plays like 75 characters, (Awesome trailer, by the way).

Host Elizabeth Vargas asked him to do one of the characters from the movie.

Tom actually warned that it is mostly "swear words," but Tom is a man of action–and evidently fatigue–because he lit into the accent and within seven words BAM! The F-Bomb drops right dead center in the middle of G.M.A.’s morning broadcast!

All I have to say is that the entire Eastern time zone (viewing it live), needed one less cup of coffee to launch their day.

T.M.Z. and all subsequent broadcast points got the feed with the offending word bleeped out. (Watch the UNEDITED VERSION below).

And it even feels weird calling the word ‘offending.’ Tom Hanks can make anything sound charming.

Comedians deal with this dilemma all the time. On radio, on T.V., we’re asked to give the audience a slice of our act and once in a great while, there could be a slip-up.

Normally, I know exactly what I’m going to do when I appear on radio or T.V. I actually outline techniques for radio interviews for comedians. But I remember it happened to me while we were live on the radio. It was actually a comment about President Bush and I was in Arkansas. Who do you think got hecklers at the show that night?! Smile

What do you do when you slip like that? You do exactly what Tom Hanks did. With charm and shock, apologize to the people who were listening and be sincere. Watch and learn because Tom Hanks teaches a valuable lesson.

America will forgive Tom Hanks and if you handle it right, the listeners or viewers will forgive you too.

Watch the video here:

Two New Comedy Clubs Open In New York City

greenwich-village-comedy-clubComedy’s Dead! Yeah, I heard that from some young comedian the other day.

Well don’t tell that to Al Martin, owner of the New York Comedy Club and The Broadway Comedy Club, who’s now opening his third comedy club, in New York called the Greenwich Village Comedy Club. It’ll be opening this July in, you guessed it—Greenwich Village.

But wait, that’s not all!

Co-owners Patrick Milligan, David Kimowitz, and brothers Cris and Paul Italia, (yes the same ones who are partners in the company “Cringe Humor,” that has spent ten years managing and producing projects for comedians), are opening yet another comedy club called The Stand. It’s just a short subway hop north of The Greenwich Village Comedy Club.

That’s two—count ‘em—two comedy clubs in a city that already has a dozen or so, not counting open mics and improv theaters. At this rate, the comedy scene in New York City is growing at a rate eight time that of the national economy.

I don’t know if clubs going to follow the same business plan as many of the clubs in L.A. by having “bringer shows” masquerade as real comedy shows, but with names like Bill Burr, Artie Lange, Jim Norton and Dante Nero appearing at the club, I don’t think they’ll have a problem putting butts in the seats.

What I like about guys like Al Martin and the boys over at Cringe is that they’ve been in the comedy business and have been focused on developing comedians for over a decade now. They’re not just fly-by-nights who would just as easily open a titty-bar for the convenience of having a cash cow. They are into stand-up comedy and they have a genuine focus.

Both owners have also professed an understanding and commitment to the traditions of the New York comedy scene (i.e.: Lenny Bruce, George Carlin) and apply that and keep it present in their clubs. The difference is that The Stand will not be imposing the two-drink minimum. They’re hoping that their cocktails and food will be too tempting to resist.

Kimowitz even said they are looking to utilize The Stand as a “comedy gym,” (Hey, that’s my line!), to provide a place where comedians can work out and develop.

New York City is clearly the dominant force in comedy clubs in this country. Where you can count comedy clubs on one hand in Los Angeles, in New York City to accomplish that, you would need an abacus.

So, yeah kid, ‘comedy’s dead,’ and it’s gone to comedy Heaven; New York City.

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