I just got an email from someone who said, “The only way to learn stand up comedy is stage time.” That’s a common response, but is it really well thought out? I would have to say, “No.” If the comedian is like a surgeon and the audience are his patients, this comedian must have the stench of death following close behind.
Is it fair to make that comparison? After all, medicine is not comedy.
Think about it this way. It you were to compare being a comedian to piloting an airplane, how many of you would want to fly “Open-Mic Airlines?”
Comedy is an art form and stand up comedy is a performing art, as is music, acting, dancing, singing and magic. Sorry mimes, if I left you out. However, what some people forget is that the comedian, unless he’s just buying jokes or stealing them—why, Carlos Mencia, has your name has become synonymous with that theme?—then the comedian is also a writer.
Every single one of those art forms has a learning learning curve. Comedy, in its form, is most like magic. As magic is about misdirection and surprise, so is comedy. In fact, scientifically, the number one element that triggers human laughter is surprise. When the magician takes the ball into his hand waves the wand over it and says, “abracadabra, ” “presto-chango, ” “expelliarmus, ” (or whatever magicians are saying these days) and the magician opens his hand and the ball is gone, we smile, we giggle, because we have been surprised. But if a magician doesn’t learn the formula, if the ball doesn’t disappear and reappear or worse, if we see where the ball is going, then there is no surprise and there is no magic and the smiles and giggles will be replaced by groans and boos and hisses. Misdirection and surprise are part of the comedian’s fundamentals as well and must be learned before getting “stagetime, ” otherwise those same groans, boos and hisses—and worse, will follow the comedian.
Structurally, comedy is also about story telling and music. Most of us know that a good story and a good piece of music has a beginning, middle and end. Unfortunately, most comedians don’t know this or don’t know to put it in their acts…certainly they need this over at SNL. When you do build this in, you stand out. Audiences love resolution and they respond with applause. It’s as simple as a musical scale, if you sing: DO-RE-MI-FA-SO-LA-TI-, the audience is going to feel unresolved. They will feel like something is missing. However, if you sing, DO-RE-MI-FA-SO-LA-TI-DO, the audience will feel compelled to raise their hands in applause. Learn your fundamentals, your scales, your rudiments, then can you make beautiful music.
It’s the same thing in comedy. Stagetime is definitely the way to hone your skills of performing comedy, but if you learn what makes people laugh and you learn to identify surprise, irony, incongruity and recognition, then apply that to your performance before you get your “stagetime, ” you probably would’ve saved the audiences you’ve encountered a lot of misery you unwittingly injected into their hearts, their memories and their olfactories, because the potency of the stench of death you most certainly left behind would’ve been a lot less significant.
That’s right. The students at the clinic are getting work! Tommy Otis who plays “Itchy” on “Car Warriors,” (Wednesday nights @9pm on the Speed network), is great on “Car Warriors.” I’ve been working with Tommy in the comedy class and doing private coaching with him for about a year now and his ability on and off camera has really blossomed. He’s a naturally funny guy and he’s taking his comedy and his career to new levels.
Tommy’s one of those people who is out there doing the work. Like many comedy students, he’s a little undisciplined, but that also give him the ability to remain unfiltered and just say what’s on his mind.
Car Warriors is an extreme 72-hour custom car build-off where a team of car “all-stars” competes against a team of locals from various shops around the country. In just 3 days they have to build and customize a car. Who would’ve thought there would be so much drama in car customization. These guys can get upset. During an episode, one guy actually starts to choke Tommy. I wasn’t too surprised. Hell, I’ve wanted to choke Tommy!
I’m used to just seeing cars in guys garages as they slowly re-do and re-build. I’ve re-built two engines in my life in my friend’s dad’s custom transmission shop. And I say two engines, because the first time, we screwed it up and had to rebuild it. It took us two months. There was no choking, there wasn’t even a gag. But I guess when you add to the mix 72 hours and competition against a rival team of customizers and you’ve got a show. A show that one of my students is in and that’s cool!
Tommy is an award winning pinstriper, so he had the skills, but add in that he’s working on his comedy skills at the Stand Up Comedy Clinic and he became someone who was a great candidate for the show. Great work Tommy!
I was asked recently if I would post who I thought were the top comedians of all time. At first I thought, “No problem!” Then as I began to put together my list I realized that it was an impossible task. There are so many great comedians. They are great for so many different reasons. I would just make the list anyway and post it, but it’s by no means an accurate list. I’ll also add an honorable mention. I have to because when I first scribbled my list, I lost it. Then I made a new list. I found the old list and they were different so this is by no means an official list. I would love to hear your thoughts, as comedy is an art and art is subjective. Everyone has different tastes. Feel free to contribute.
1. George Carlin
George was my Mentor. I grew up listening to George. I studied him and actually got to share a limo with him to the airport while in New York. He was both a socio-political comedian and an observational/word-play comedian. His “Seven Words You Can’t Say On Television” is classic. He, in my view, was the best, but then again, he gave me the best advice. He said, “Take the shit that drives you absolutely crazy and make it funny!
Bill Cosby is, of course, on the list. Here’s another comedian I grew up listening to. Bill wasn’t just a stand up. He was also a sit-down. He was a story teller. His inflections and stories about family and human behavior were so familiar we laughed because we had experienced the “same thing.” in our homes. One of my favorites is “Kids Are Brain Damaged!”
3. Richard Pryor Richard Pryor was a favorite and yes, another one of the comedians I grew up listening too. My parents used to play his albums, alongside Carlin and Cosby. The language was never a big deal. My parents used to say, “If you have any questions about the words, just ask.” You could imagine the dinner table discussions that inspired. In general, human behavior sense, there are two types of performers: Givers and Takers. Pryor was a giver. He shared his pain, admitted his faults and pleaded with the audience to like him. And we did!
4. Lenny Bruce – What else could you say about Lenny Bruce. He took the bullet for all comedians. Some say he paved the way for just the comedians who use profanity in their routines. But Lenny was grander than that. He paved the way to allow “free speech” in entertainment. Even though his life was short (he lived to 41), his effort and love for the art form and to be able to speak freely in this country, allowed all who followed to do the same.
5. Bob Hope – People forget that when Bob Hope was 75, he was still at the top of his game. He continued to shoot television specials and tour the world. Hell, he ran NBC. When he wanted to do a special, he would call the head of N.B.C. and say, “Fred, we want this Sunday.” The head of N.B.C. would say, “Okay, Bob.” And reprogram the network’s entire Sunday evening lineup to accommodate Bob Hope. He was loved all over the world and gave millions to charities. He never did a re-run, EVER! He always wanted his material to be fresh. The only thing that would leave him off this list is that he didn’t write all his own material. He had a well-paid writing staff that was available 24/7.
6. Jerry Seinfeld – Some people would say, “What’s the deal with putting Jerry Seinfeld on the top 10 list?” That’s pure and simple, Jerry Seinfeld took observational material to a whole new level. So much so that he spawned a T.V. show that was nearly canceled in its first airing. It was entitled “The Seinfeld Chronicles.” The show was brought back as “Seinfeld.” It had a very successful run of 9 seasons. Jerry, decided to end the run, not the network. Then despite being set for 6 lifetimes, Jerry went back to doing stand up. Now that’s a comedian. Jerry is worth over 2 billion dollars. So when you ask why Jerry? I got 2 billion reasons. Here’s a clip of Jerry’s first appearance on H.B.O. He was doing the Smothers Brothers special.
7. Paula Poundstone – I had to get a female in here. I know there are a lot of funny gals out there, but Paula is one of my favorites. Who else can make fun of her suicide attempt and make it funny. She’s quirky and likeable. I always enjoy watching me some Paula Poundstone. I could have put in work-a-holics like Joan Rivers or Phyllis Diller, but, to me, they seemed more like volume contributors rather than substance contributors. Plus, Paula wrote all her own material. Paula is also one who is a “giver” in the Richard Pryor sense. She shares her pain and struggles. The best part of that is that she does it in a way that makes me laugh!
8. Bill Hicks One of the most honest comedians on the face of the planet. His honesty got him notoriety but also got him in trouble. He had limited options because of his honesty and I think that’s why he’s one of my favorites. He took on everything and basically to the “nth” degree took George Carlin’s saying, “Take the shit that drives you crazy and make it funny.” He is one of a kind in my book.
9. Steve Martin – Like Lenny Bruce, Steve Martin changed the face of comedy. But he went the other way. His zany antics and use of props took comedy to an entirely different place. He was unique and basically dressed the part. If comedy is incongruity then his white suit, coupled with ‘happy feet’ and the arrow through the head, at the time was legendary. I don’t know how it would play now. But Steve Martin left an impression on the art form.
10. Eddie Murphy – Okay, okay… I know many of you are wondering, “Where’s so-and-so? How can you put together this list and not mention Brian Regan, Milton Berle, Henny Youngman, Jack Benny, Sam Kinnison, George Burns, Mitch Headburg, Ellen DeGenerous, Alan King and so many more? The only thing I can say is the list was not long enough and I put together a list that impacted my life. So Eddie Murphy makes the cut. His Delirious album was one of the funniest I’ve ever listened to, although I preferred Richard Pryor. Eddie sly persona was revealed through that goofy classic Eddie laugh that he carried into films…you know the good ones: Trading Places, Beverly Hills Cop, etc. Here’s one of my favorites: “Ice Cream”
So that’s it! Please feel free to add your own. Comedy is an amazing art form and I applaud all comedians who work hard in this business. I’m in awe of the struggle they go through to make it and the commitment it takes. To all the comedians out there: YOU ROCK!
This weekend Jerry Corley’s Stand Up Comedy Clinic visited Las Vegas, hosting a 2-day comedy seminar in the ‘Sin-City, ‘ at the Alexis Park Hotel and Resort, and if writing jokes is a sin, then there was a lot of sinning going on. In the 2-day seminar, Jerry Corley, the Joke Doctor himself, shared joke writing techniques galore, demonstrated techniques on the stage and deconstructed sample sets on video from Jerry Seinfeld, Dave Chappelle, Bill Hicks, Brian Regan, and George Carlin, giving the students an insight to the ‘greats’ using the very techniques he reveals in his seminars.
The results were really inspiring. To watch the attendees improve their joke-writing skills liiterally overnight was just incredible. From Saturday to Sunday, the attendees, (some of them working comedians), churned out one and two-liners on material ranging from trending topical events, relationships, religion and the economy, like they were professional writers in a writers room at NBC. In short 15-20 minute, workshop-style sessions, these impressive students wrote 7, 8, 10 jokes and more and they were jokes that truly reached the level of commercially acceptable jokes that you might hear on the late night shows. Seven to eight jokes might not seem like a lot, but think about it…they wrote these jokes in twenty minutes. Just think of the possibilities if they would have had an hour or two!
I know some professional comedians (headliners) who haven’t written a new joke in 12 years. These guys and gals were writing them in 20 minutes.
In the last segment of the last day of the seminar, the students got up on the stage and performed some of their own material and recieved suggestions and notes from Jerry and some of the other students in the room. The suggestions were helpful and insightful. Some of the students who didn’t have a lot of material learned that by just talking about your life, your goals, and your frustrations, you can generate some good comedy material for your routine.
Keep an eye out for one of Jerry Corley’s weekend comedy seminars coming to your town. If you are interested in stand up comedy or comedy writing, you won’t want to miss it.
So here’s your chance to get the best information available regarding joke writing, performance technique, act-shaping and how to know when your jokes are funny before you hit the stage. Even if you’re not into the performing part of comedy, this seminar is for you!
Jerry Corley, the pre-eminent comedy teacher in Los Angeles who spent 26 years on the road, wrote for The Tonight With Jay Leno for 8 years and who has been called a “genius” by his competitors, is coming to Las Vegas to teach a weekend comedy intensive.
Bring your notebooks and your digital voice recorders because this is the real deal. You will learn more in the two days you spend with Jerry than you’ll learn toiling on the road for years. You’ll cut to the chase and find out:
What triggers human laughter.
How to master the writing techniques to pull that trigger.
How to get multiple laughs out of one joke.
How to heighten your act to build applause breaks.
How to finesse your act to make it sound effortless.
How to write jokes about anything, even when you don’t feel funny.
What techniques to use to develop relationships and get work.
Find out why Jerry’s comedy students win competitions. Jerry’s student, J.C. Morgan, just won L.A.’s Funniest Comic award, (for the category of performers with less than 2 years experience).
So come down and check it out.
WHERE: Alexis Park Resort Hotel 375 East Harmon Avenue
Las Vegas, NV 89169 (702) 796-3322 WHEN: Saturday & Sunday April 9-10. 9am-5pm COST: $299.00 (ASK FOR THE “UNBELIEVABLE” DISCOUNT IN THE COMMENT BOX THEN SIGN UP FOR THE MAILING LIST AND YOU’LL GET $100 OFF!)
It’s gonna be a blast and you’ll be so excited about what you learned you’ll want to get right to work writing your new material. Guaranteed!