Jason London at the Comedy Store
It’s always a pleasure to share in the success my students. That’s what I’m going to blog about today. One of my students, Jason London, went out to Toledo, Ohio to visit his girlfriend’s family. If that wasn’t courageous enough, he called the Funny Bone in Toledo to ask for a guest spot. And in taking my suggestion, he told the manager of the Funny Bone that he plays regularly at the Comedy Store. They loved the idea of having a comedian who plays at the world famous Comedy Store, so they gave him an audition booking. He went out there and did his thing putting on a show that was so good, the booker booked him at the club for a week!
That’s a very impressive start for someone who’s only been doing stand up for 24 weeks. He’s already getting paid bookings in an A-Club in the midwest. this is big news for any comic. How did it happen? Well, first of all Jason works hard at writing his material. Despite having a job that keeps him busy, sometimes for 12 hour days, he musters up the energy to write his material. Then he comes to class religiously at the Stand Up Comedy Clinic and gets notes on his routines and incorporates them. He makes sure his material has structure because it’s the structure that get the laughs.
And without belaboring the point, let me just say Congratulations to Jason London for booking his first week-long gig at an A-Club! Let’s keep this up and get more bookings!
Rob Rose Comedian
My first student, and now writing partner, Rob Rose, called me the other day as he was preparing to do a showcase in the main room at the world-famous Comedy Store. We were tipped off that some heavy hitters from the industry were going to be there to watch the talent, so we were both eager that he do well. He started telling me all the new material that he wrote for the showcase. I stopped him. “You’re doing new material?” He said, “Yeah, I want them to know I can write.”
There’s always a temptation to write new material for an important showcase because you want to impress. But the problem with that is you don’t truly own it and it will affect your performance. Jay Leno once told me, “Never do new material for a showcase for an agent.” And he’s right. Always do stuff you are so familiar with that you could do it in your sleep. That way an agent sees it as effortless and that is what will make you stand out from everyone else that stands on stage. You’ll be free enough to play with the audience and that will reflect in your performance.
Doing new material may make you feel fresh but it won’t let you stay out of your head. Once you have to remember to do the material then that puts you into your head to look for the joke rather than in the moment with the audience where you belong. Save the new material for a midweek club workout rather than an important showcase in front of industry decision makers.
He took the suggestion and was spontaneous and playful on stage. As a result of doing the “tried and true” material, he was able to be free and his act reflected that. The agents took notice too and after the show they indicated that he was one of the favorites. We’ll see what happens. Whether he gets signed or not as a result of that peformance, he stood out and they made note of it. When they see him again, they will really take notice.
Jerry Corley (Joke Doctor) is the founder of the Stand Up Comedy Clinic visit the website at http://www.standupcomedyclinic.com where you can sign up for a class or private coaching.
The biggest questions I get in teaching humor courses is: Can comedy be taught? Many times it’s comes as an attack. The most recent one I received was from some guy in San Diego, who was of course afraid to share his name. He left messages and sent emailsâ€”a full on assault!â€”(shaking in my boots:well, to be honest, Skechers). He said, “You can’t teach comedy! You either are funny or you’re not! You, of all people should know that!”
I didn’t understand a couple of things, first of all why all the hostility, dude? And secondly, why me of all people? If I’m the one teaching comedy, then it’s definitely not me! I did this with a smile on my face, of course, because I usually smile at such naivete.
It’s the kind of naiveté you find when someone is generally ignorant about a lot of things. They’re usually the same people that think that we didn’t actually put a man on the moon, Sadaam Hussein was responsible for 9-11, and that a stripper smiles at you when you give her money, because she really likes you!”
But I digress:comedy can be taught because all comedy has structure. It has a wide variety of formulas and techniques that can be utilized to surprise the listener or viewer. And if surprise is the number one element that triggers human laughter, wouldn’t it be wise to learn the different ways a humorist can write or deliver a line or a story that will create surprise?
You can learn comedy on your own, but if you study with someone who is knowledgeable and who has experience then you can probably get funnier faster. Learning comedy is like learning anything. It takes time to get good, but if you study with a good teacher you get better faster.
Comedy is a lot like magic. When a magician puts a ball in one hand, wave the magic wand over it and the ball disappears only to reappear behind your ear, he used misdirection to distract you so that you didn’t actually see where the ball was going. He created surprise. He’s doing the same thing a comedian does when the comedian leads you down one path verbally, only to misdirect you so that he can surprise you with the ending. As in: “This morning, I woke up in the hotel room and the housekeeper was banging on the door, just banging:finally, I had to get up and let her out.”
This is called a reverse in comedy and it works all the time. It’s just one of the formulas I teach in my comedy classes, workshops and seminars. The reverse; learn to use it. Its effectiveness will surprise you. In fact, it works so well, it’s like magic!
The masses love to watch movies. We watch movies to be taken to exotic places; places we’ve never seen or been to so that we may have that experience, if even for the 90 minutes that we are in the theater. It’s no different with a comedy act. Your comedy act is your story. And if the story is compelling and interesting and takes us to an exotic place than YOU will stand out from most comics out there who just try to be funny. Anyone can be funny, but it’s when you can take the audience on a journey with vivid images and show them something they haven’t seen before either from your unique point of view or your unique life experience.
I recently taught a seminar at the World Series Of Comedy in Las Vegas and I had the pleasure of meeting many talented comedians all trying to do the same thing; improve their act, sharpen their skills, make themselves better and more noticeable so they will work more. At breakfast I was talking to a comedian who was raised in the mean streets of Minnesota, in the hood. He began to tell me that he didn’t think the audience was interested in his life because it wasn’t exciting or flashy. He said he did “external” comedy rather than talk about himself because he didn’t think anyone would give a damn.
I asked him about his upbringing and the neighborhood that he was raised in and he began to tell me in vivid colors about what a shit hole it was. How he and his brother managed to get to school by playing make-believe. “Make believe we’re in the army and we have to avoid getting shot by the enemy.” Problem was the enemy drove in cars that had doors painted with the words, “To Protect and Serve.” He went on to tell me more about his single mom. “She was married, but the reason we called her ‘single mom’ is because that all the cash she ever had in her purse. A single.” He continued for about a half-hour. I was so compelled in the story that I didn’t eat my breakfast. While he was talking about his upbringing, I took notes and recited back to much of what he told me. He just realized that he had a 3 to 4 minute bit about his life and when he heard me say it he realized how exotic his life actually was.
So very excited to announce that one our hardest working comedy students at Jerry Corley’s Stand Up Comedy Clinic, David Conolly, has just signed with Levity Entertainment Group.
Levity was originally founded by Robert Hartman, the majority owner of the Improv comedy club chain and Judy Brown Marmel, the creator and producer of the Aspen Comedy Festival. Together with Levity, they have created a powerhouse entertainment entity producing over 400 hours of comedy specials for television. Since they also control the Improvs nationwide, they have influence and booking control over the comedians that appear in their clubs nationwide. They are positioned to leverage their influence vertically to enhance any comedian’s success.
David started studying with Jerry Corley at the S.U.C.C. in the summer of 2010. During his second round of classes, he used his demo from his first graduation at the Comedy Store Belly Room to secure a spot at the World Series of Comedy in Las Vegas, where he competed with over 100 other comedians in comedy competition. He performed the set he developed during his first 8 weeks at the Clinic and made it all the way to the semi-finals. He also received attention from bookers who were attending the festival. A week after the festival he performed at the Casa Blanca Resort and Casino in Mesquite, NV and he just returned from Chicago where he appeared at the legendary Zanies Comedy Club. Zanies is one of the most prestigious clubs in the country and also one of the most difficult to get into. David also just finished taping a set for Jan Smith’s ComedyTime.tv, a set that will appear as content for the internet and mobile phones.
David has been getting notice around town and receiving offers to host and appear in other special shows. One of the key reasons is because David’s act has structure and it’s structure that makes a comedian stand out among the rest. Stucture is what Jerry Corley emphasizes in his Comedy Classes based in Los Angeles and in Seminars and Intensives, taught nationwide.