How To Write Comedy for Corporate Gigs [VIDEO]

Happy Thanksgiving!

One-of-a-kind comedy writing tutorial.

Just let me start by saying I am thankful for all of you who take the time to read my blog and leave me comments, likes and tweets.

For Thanksgiving I want to give you this video tutorial on writing material for corporates.

As many of you know corporate gigs are the well paid gigs that can really earn you a terrific living in comedy. I spent much of my career doing corporates and earning a terrific living.

The key do grabbing the higher paying gigs in corporate is being able to write material that relates to the company or the niche for which you have been hired to perform.

This video is a FULL VIDEO TUTORIAL on writing comedy material for corporates. It’s not a teaser. It’s much like my video on writing jokes for current events video. It walks you through starting with a subject—in this case: “Title Insurance”—then writing ten minutes of material for that subject.

Watch the video when you have time to sit and watch an hour and eighteen minutes of the sometimes tedious process of putting together ten minutes of material from scratch. In other words it can be boring as hell unless you’re a comedy writing nerd like me!

So grab a cup of coffee and your notebook and enjoy. This is a one-of-a-kind-tutorial and is only one of the techniques I use to write corporate material for a specific niche.  Enjoy!

I would love to hear your feedback!

Happy Thanksgiving!

NOTE: If the video doesn’t appear, refresh the page. Thanks!


 

 

 

 

Does All Comedy Need to be Based in Truth? [Video]

There seems to be a misconception out there when it comes to theories behind developing and writing comedy.

One of the most popularly espoused by many comedy instructors is: your comedy must be true.

NOT SO!

I’m not sure how this particular theory got so out of control. I say, “out of control” because I’ve heard from dozens of confused students of comedy on this very matter. So many, in fact, I feel that it’s time to address in on the blog.

So let me be clear: All comedy does not need to be true.

In other words, you can make stuff up!

To be fair, some of the people who have advocated this ‘truth’ misnomer may just be repeating something they’ve heard from other people. Or they are misinterpreting or misunderstanding what “true” is or what it means with regard to developing comedy or developing stories.

Bottom line is that if you only use what’s true, you are seriously limiting yourself and your material. There’s so much available if you use your imagination.

If you allow yourself to get stuck on only what’s true, you’ll deny your creative mind the ability to develop a whole field of new material; sketches, act-outs, and solid ponderable or observational creative material (Jerry Seinfeld-style)

However, truth is a good starting point…

For example, I wrote a bit a long time ago on how people in Texas say “Y’all.”

That is true.

Once I had that tid-bit of information, I wanted to write a funny routine about it, (I’m a comedian so ‘funny’ is usually how I like to write… I try anyway).

One of the most effective ways to write comedy, is to take a character trait of a person and put him or her in a situation that is opposite to their persona and/or character traits. It creates a situation that resolves with an unexpected result. Which creates surprise, thus laughter.

Got it?

So all I needed to do is come up with a character that the audience would never expect to use the phrase “Y’all.”

I thought British Royalty. That’s a good idea, but the odds of meeting British royalty in Texas are slim and improbable—Brits don’t understand Texan accents—so I thought further. Then I came up with the idea of using an austere French person.

Where would I find an austere French person in Texas?

A French restaurant in Dallas!

You can probably feel the presence of the incongruous relationship between those two elements (French person/Texas), already, and the idea is giving you a bit of a tickle.

So once I had the character and the situation. I had to create the story and the act-out.

So the bit goes like this:

“I was out of the country recently, I was in Texas. You ever notice that everyone says, “Y’all” in Texas. Everyone! You can go to other parts of the country and you’ll have pockets of the population that say “y’all,” but everyone in Texas says, “Y’all.” Like, one time, I was in a very expensive French restaurant in Dallas—which is a joke in itself—I was at the top of this hotel. Very French restaurant; the waiter was also very French. He had the little French mustache, the towel over his arm, the body odor. He comes up to our table and he’s like, “Good afternoon, Mademoiselle, Monsieur… Welcome to Café Lu Bonne… what can I get for Y’all.” I was like, “You just blew the atmosphere there ‘Pierre.

He turns around, he’s got a faded Copenhagen circle on the back of his Tuxedo pants… That’ll teach me for eating at a restaurant called, “Chateu de Big-Ass Barbecue.”

This bit is intended to be performed and not written, but it’s a bit that works any time, any where I am performing; clubs, corporates, parties, one-niters. It’s a no-fail joke.

Take a quick look at the video of that joke:

Jerry Corley at Wiseguys Comedy Club in Salt Lake City

Here’s the thing: IT NEVER HAPPENED! The entire scenario is a made-up story.

Bottom line is that comedy doesn’t have to be true to be funny and effective.

Here’s the caveat: comedy has to be believable and probable. If this was written outside the realm of believability, then the audience would not ‘buy it’ and the joke would fail.

The thing to remember is that comedy is heightened reality not complete absurdity. As audiences we love to be fooled, but we hate to be made fools of…

Make sense?

One of the other fallible pieces of information that students get subjected to is “don’t tell stories.”  NOT TRUE!

Notice the above joke. Is it a story or a joke?

It’s both. It is a story with seven laugh points, (in orange). It’s a bit that lasts about a minute, but includes seven laughs along the way.

Seven laughs in a minute. Considering that most clubs like the Improv, Comedy Store, Laugh Factory, etcetera, look for comedians to have a laugh every 18-20 seconds, seven in a minute doubles that. It’s a solid bit.

What do we gain from this?

Stories are fine, just as long as you have laugh points along the way!

What say you?

Big Sky Comedy Competition has Big Time Industry

logo-bigsky6

Don’t miss this one!

I know, I know… what the Hell? Big Sky Comedy Competition? Why bother?

I’ll give you 3 reasons:

ICM

CBS

IMPROVs

These are just a few of the talent coordinators and agents that were present at last years festival/competition. I expect just as good a turn out or better at this year’s competition with scheduled additional attendance of talent coordinators from the Funny Bones Comedy Clubs and FOX.

This festival is put on by Wayne Wilcox and his team of talent coordinators and producers. From what I’ve heard they are doing a great job building this festival.

As you may know, I’m a big fan of getting involved in any comedy competition or festival. It’s not just about the competition. Although winning would be great, it’s not everything. Meeting and mingling and developing relationships with other comics and bookers is the primary goal of any competition.

One of the best pieces of advice I received about auditions and try-outs is from an old musician friend of mine. He’s a professional studio drummer and makes a good living touring with top headlining bands.

He said, “Audition for everything. Because even if you don’t get the gig, you meet those same people again and if you’ve been working hard, when they see you again, they see the improvement. Anyone would want to work with the artist who is constantly working hard to get better.”

And he’s right. As you know this can be a small world. You bump into a lot of the same people. Every opportunity leads to another opportunity.

To freshen up read my top tips on performing at .

How To Submit

It’s really easy to submit for this competition:

  1. Visit Big Sky Comedy’s and click the link.
  2. Fill out the form.
  3. Pay the $30 Fee with your credit card.
  4. Submit your 5-minute video link.
  5. Submit before September 15!

Please be sure that your video is ONLY 5 minutes. I think it’s best not to have an edited video, but times have changed and lots of these festivals don’t care. They just want to see what you can bring to the festival.

24 Comedians will be selected for the competition. Here’s the great part, according to the promo on the website, your food and hotel are paid for! What?! That’s right. If you make it into this festival, your food and hotel are paid for!

So submit your videos now and Good luck! Remember the deadline is September 15th!

Look Who’s Doing College Gigs!

Tony Quach & Jason London

Imagine doing stand-up comedy for only a year and booking your first paid stand-up gig at a University…

One year? Can it be done?

Oh yes it can! And it can be done well!

Tonight at Cal State Northridge, the university students put on a comedy show for like Greek week or something like that. Not many Greeks attended the comedy show because the Greeks were doing what Greeks do; party!

But no Greeks were needed. The room was standing room only and my students: Byron Valino, Tony Quach, Joe Dungan, Jason London and Adrian Herrera put on a fantastic show and got the room greased and ready for headliner Brian Kiley, the Emmy-award winning writer for The Conan O’Brien show who batted clean-up and knocked it home!

Some people say that college kids are hard to make laugh, but the show was filled with laughs from the first comic to the end and Jason London got a standing ovation. Sure it was by one person; his mom, but–

Actually it was from one of the CSUN students in the audience. Jason had one of his best sets yet.

You could actually see the structure of comedy pay off time and time again at this show.

The beauty of this whole thing is that these guys (except for the headliner) have not been doing comedy all that long. Some have been in my classes for less than a year, but it proves that when you learn the craft of humor writing and stand up, you can make even the toughest crowds laugh.

The ‘beautier’ part? They all got paid to do the gig. That’s right; PAID… in L.A.!

Whaaaat?! Who does that? Who pays in L.A.?

Uhm… colleges!

I think my guys are on to something. The University event organizers really loved the gig. They recorded the entire show. So now each of them have a solid video clip of them doing a college comedy event.

Now they can organize that and take it to the other campuses and book some more shows.

How Did They Do This?

I’ll just beat you to the punch now, because I know I’ll get a bunch of comments asking, “how did they get this gig?” It’s a comedian’s nature to ask how to get the gig.

They got it because Tony is an advisor on campus. He asked around, pimped and prodded and finally got the ASB to agree to put on a comedy show.

Because Tony had a relationship in place, he utilized it to pitch his show. Most everything in this town is done because a relationship is in place.

Do you have a relationship in place that you can utilize to pitch a college gig? A corporate? A fund raiser?

Some of you might be thinking… “Man I don’t know anybody like that.” And you might leave it at that, never bothering to try to make a connection. But you don’t need to have a connection.

If you don’t have any connections, make them!

 

How I Got My First College Gigs

When I first started doing colleges, I didn’t know anyone, but I had a solid tape.

I purchased Peterson’s guide to the college market and I started contacting colleges via letter and phone. (Yes, I said, ‘letter!’ It was before e-mail!).

I received some responses. I pitched my shows and low and behold (“low and behold” what does that even mean?), I started booking gigs.

My first year doing this, I only booked three college gigs, but after that it was five, then ten; partly because I spoke to some of the same people I tried to pitch the previous year. They remembered me.

See? Relationships!

Each gig was paying $750-$1500.

When I started, I didn’t have any connections and I didn’t know anyone. But I did have a relationship in place. It was a relationship with Peterson’s guide to colleges. Each one of those contacts, became leads. And each one of those leads became relationships.

Then it was just a matter of getting them to say “yes.”

So when you say, “how do you get these college gigs?” There’s an answer: Build relationships!

Relationship to the next power

Tony Quach, who booked this comedy show tonight at Northridge’s campus, took this relationship idea to the next level. Not only did he book his friends (fellow comedians who were also classmates at my Comedy Clinic), he also reached out to Brian Kiley, (head monologue writer on Conan), and offered him the headlining spot.

Prior to this, Tony was not even on Brian Kiley’s radar. Know what he is now?

A relationship.

–Great work guys! Can’t wait to headline your next college show! 

C’mon! I thought we had a relationship?!

Late Night Writing & Submission Workshop is on!

This is fantastic news! Glad to hear that several of you want to participate in the Late Night Writing & Submission Workshop.

The date is Confirmed as Wednesday, July 31st, 2013.
The information is below to sign up for the workshop. I will help you get your material organized so that you can submit to shows and submit to the NBCUniversal contest for the weekend Late Night Workshop in New York!

What is this about?

Get more information below! And get on this. These opportunities don’t come often!

 

Late Night Joke Writing & Submission Workshop

Want to get prepared to submit to the Late Night Shows as a writer but don’t know what to do, what they’re looking for or how to format it?

Well then you don’t want to miss this!

Late Night Joke Writing & Submission Workshop to prepare you for this opportunity. I will cover:

  • How to write jokes quickly for Late Night
  • How to write jokes in the style of Late Night.
  • What they look for in Late Night Joke Submissions
  • How to separate yourself from the pack
  • How to properly format a sketch package
  • What the earning potential is for a staff writer
  • How to write volumes of jokes on one topic
  • 3 Easy steps to create compelling sketch concepts
  • …and much more

This will be a 4-hour workshop WEDNESDAY July 31st11am-3pm for ONLY $99.

I will also be recording this workshop and I will make it available for purchase for anyone out of town. You will have access to all the handouts and sample sheets used at the workshop.

If you have questions or need more info reach me via my contact me page.


BE FUNNY.    GET PAID.    ANY QUESTIONS?

Visit StandUpComedyClinic.com for more details!