Big Sky Comedy Competition has Big Time Industry

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Don’t miss this one!

I know, I know… what the Hell? Big Sky Comedy Competition? Why bother?

I’ll give you 3 reasons:

ICM

CBS

IMPROVs

These are just a few of the talent coordinators and agents that were present at last years festival/competition. I expect just as good a turn out or better at this year’s competition with scheduled additional attendance of talent coordinators from the Funny Bones Comedy Clubs and FOX.

This festival is put on by Wayne Wilcox and his team of talent coordinators and producers. From what I’ve heard they are doing a great job building this festival.

As you may know, I’m a big fan of getting involved in any comedy competition or festival. It’s not just about the competition. Although winning would be great, it’s not everything. Meeting and mingling and developing relationships with other comics and bookers is the primary goal of any competition.

One of the best pieces of advice I received about auditions and try-outs is from an old musician friend of mine. He’s a professional studio drummer and makes a good living touring with top headlining bands.

He said, “Audition for everything. Because even if you don’t get the gig, you meet those same people again and if you’ve been working hard, when they see you again, they see the improvement. Anyone would want to work with the artist who is constantly working hard to get better.”

And he’s right. As you know this can be a small world. You bump into a lot of the same people. Every opportunity leads to another opportunity.

To freshen up read my top tips on performing at .

How To Submit

It’s really easy to submit for this competition:

  1. Visit Big Sky Comedy’s and click the link.
  2. Fill out the form.
  3. Pay the $30 Fee with your credit card.
  4. Submit your 5-minute video link.
  5. Submit before September 15!

Please be sure that your video is ONLY 5 minutes. I think it’s best not to have an edited video, but times have changed and lots of these festivals don’t care. They just want to see what you can bring to the festival.

24 Comedians will be selected for the competition. Here’s the great part, according to the promo on the website, your food and hotel are paid for! What?! That’s right. If you make it into this festival, your food and hotel are paid for!

So submit your videos now and Good luck! Remember the deadline is September 15th!

Look Who’s Doing College Gigs!

Tony Quach & Jason London

Imagine doing stand-up comedy for only a year and booking your first paid stand-up gig at a University…

One year? Can it be done?

Oh yes it can! And it can be done well!

Tonight at Cal State Northridge, the university students put on a comedy show for like Greek week or something like that. Not many Greeks attended the comedy show because the Greeks were doing what Greeks do; party!

But no Greeks were needed. The room was standing room only and my students: Byron Valino, Tony Quach, Joe Dungan, Jason London and Adrian Herrera put on a fantastic show and got the room greased and ready for headliner Brian Kiley, the Emmy-award winning writer for The Conan O’Brien show who batted clean-up and knocked it home!

Some people say that college kids are hard to make laugh, but the show was filled with laughs from the first comic to the end and Jason London got a standing ovation. Sure it was by one person; his mom, but–

Actually it was from one of the CSUN students in the audience. Jason had one of his best sets yet.

You could actually see the structure of comedy pay off time and time again at this show.

The beauty of this whole thing is that these guys (except for the headliner) have not been doing comedy all that long. Some have been in my classes for less than a year, but it proves that when you learn the craft of humor writing and stand up, you can make even the toughest crowds laugh.

The ‘beautier’ part? They all got paid to do the gig. That’s right; PAID… in L.A.!

Whaaaat?! Who does that? Who pays in L.A.?

Uhm… colleges!

I think my guys are on to something. The University event organizers really loved the gig. They recorded the entire show. So now each of them have a solid video clip of them doing a college comedy event.

Now they can organize that and take it to the other campuses and book some more shows.

How Did They Do This?

I’ll just beat you to the punch now, because I know I’ll get a bunch of comments asking, “how did they get this gig?” It’s a comedian’s nature to ask how to get the gig.

They got it because Tony is an advisor on campus. He asked around, pimped and prodded and finally got the ASB to agree to put on a comedy show.

Because Tony had a relationship in place, he utilized it to pitch his show. Most everything in this town is done because a relationship is in place.

Do you have a relationship in place that you can utilize to pitch a college gig? A corporate? A fund raiser?

Some of you might be thinking… “Man I don’t know anybody like that.” And you might leave it at that, never bothering to try to make a connection. But you don’t need to have a connection.

If you don’t have any connections, make them!

 

How I Got My First College Gigs

When I first started doing colleges, I didn’t know anyone, but I had a solid tape.

I purchased Peterson’s guide to the college market and I started contacting colleges via letter and phone. (Yes, I said, ‘letter!’ It was before e-mail!).

I received some responses. I pitched my shows and low and behold (“low and behold” what does that even mean?), I started booking gigs.

My first year doing this, I only booked three college gigs, but after that it was five, then ten; partly because I spoke to some of the same people I tried to pitch the previous year. They remembered me.

See? Relationships!

Each gig was paying $750-$1500.

When I started, I didn’t have any connections and I didn’t know anyone. But I did have a relationship in place. It was a relationship with Peterson’s guide to colleges. Each one of those contacts, became leads. And each one of those leads became relationships.

Then it was just a matter of getting them to say “yes.”

So when you say, “how do you get these college gigs?” There’s an answer: Build relationships!

Relationship to the next power

Tony Quach, who booked this comedy show tonight at Northridge’s campus, took this relationship idea to the next level. Not only did he book his friends (fellow comedians who were also classmates at my Comedy Clinic), he also reached out to Brian Kiley, (head monologue writer on Conan), and offered him the headlining spot.

Prior to this, Tony was not even on Brian Kiley’s radar. Know what he is now?

A relationship.

–Great work guys! Can’t wait to headline your next college show! 

C’mon! I thought we had a relationship?!

Late Night Writing & Submission Workshop is on!

This is fantastic news! Glad to hear that several of you want to participate in the Late Night Writing & Submission Workshop.

The date is Confirmed as Wednesday, July 31st, 2013.
The information is below to sign up for the workshop. I will help you get your material organized so that you can submit to shows and submit to the NBCUniversal contest for the weekend Late Night Workshop in New York!

What is this about?

Get more information below! And get on this. These opportunities don’t come often!

 

Late Night Joke Writing & Submission Workshop

Want to get prepared to submit to the Late Night Shows as a writer but don’t know what to do, what they’re looking for or how to format it?

Well then you don’t want to miss this!

Late Night Joke Writing & Submission Workshop to prepare you for this opportunity. I will cover:

  • How to write jokes quickly for Late Night
  • How to write jokes in the style of Late Night.
  • What they look for in Late Night Joke Submissions
  • How to separate yourself from the pack
  • How to properly format a sketch package
  • What the earning potential is for a staff writer
  • How to write volumes of jokes on one topic
  • 3 Easy steps to create compelling sketch concepts
  • …and much more

This will be a 4-hour workshop WEDNESDAY July 31st11am-3pm for ONLY $99.

I will also be recording this workshop and I will make it available for purchase for anyone out of town. You will have access to all the handouts and sample sheets used at the workshop.

If you have questions or need more info reach me via my contact me page.


BE FUNNY.    GET PAID.    ANY QUESTIONS?

Visit StandUpComedyClinic.com for more details!

 

NBC Late Night Writers Workshop

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Could This Be Your Big Break?

If you’ve ever dreamed of writing jokes and sketches for Late Night, here’s a fabulous opportunity to get yourself to be considered.

NBCUniversal is offering a workshop for writers to get involved. They posted the recent opportunity on their website.

The NBCUniversal Late Night Writers Workshop is a two-day program focused on exposing talented sketch and comedy writers to NBCUniversal’s late night line-up and readying them for a staff writer position. We are looking for writers who are “almost there” but need that final bit of preparation and exposure to key industry players. We particularly encourage female writers and those of diverse backgrounds to apply.

The two-day, NYC-based workshop will consist of improv classes as well as keynote speakers. The selected writers will create new sketch material and gain insight into the dynamics of a late night writers’ room as well as learn about NBCUniversal’s late night line-up. Participants are given the chance to interact with key writers and producers from across NBCUniversal’s late night shows as well as receive feedback on their material. Writing assignments on an NBCUniversal late night television show may be available after successful completion of the program but are not a guarantee.

So what are you waiting for? Go to their writers workshop website and get the details now!

Need to know how to write and format your material for submission?

Late Night Joke Writing & Submission Workshop

If you are so inclined, I may be putting together a last minute Late Night Joke Writing & Submission Workshop to prepare you for this opportunity. I will cover:

  • How to write jokes quickly for Late Night
  • How to write jokes in the style of Late Night.
  • What they look for in Late Night Joke Submissions
  • How to separate yourself from the pack
  • How to properly format a sketch package
  • What the earning potential is for a staff writer
  • How to write volumes of jokes on one topic
  • 3 Easy steps to create compelling sketch concepts
  • …and much more

This will be a 4-hour workshop WEDNESDAY July 31st, 11am-3pm for ONLY $99.

If you are interested in this workshop, please contact me at jc@jerrycorley.com and indicate “Writing & Submission Workshop” in the subject line. If enough people are interested on such short notice, then I will put on the workshop at my studio.

I will also be recording this workshop and I will make it available for purchase for anyone out of town. You will have access to all the handouts and sample sheets used at the workshop.

Why Did They “Boo” Bill Maher on Letterman?

Bill Maher Gets ‘Boo’d’ on Letterman

 

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One of my students sent me an email that asked if I could do an analysis on this video of Bill Maher getting “Boo’d” on Letterman.

I love walking through these things. It gives us a chance to understand the fickle behavior of an audience.

Bill Maher is no stranger to controversial material. Remember he got canned by ABC in 2002 when he was doing ‘Politically Incorrect.’

I’m a huge fan of Bill Maher. I love his take on most things and even when I might disagree with him on some things, I still give props for the not only the courage to say what he says, but also the way he organizes his thoughts and researches what he talks about.

Comedy Central has Bill Maher ranked 38 among the best stand up comics of all time.

So when I heard that Bill was boo’d on Letterman. I was quick to review the video.

Let’s look at it together and try to figure out why they “boo’d”

After reviewing the clip, I don’t think they “boo’d” him as much as they “ooo’ed” him.

We have to consider the nature of  the audience dynamic in today’s political environment. The immediate perception from most audiences is that every joke is an attack.

“Not as bad as being a minority in Florida…”

This particular line is layered.

The audience has an immediate reaction to the surface of it: ‘not as bad as being a minority in Florida.’ I believe that they perceived the comment initially as a general negative attack on minorities. This happens in the first second after the comment, which results in the “Ooh.”

Remember the comment was a play on the previous sentence when he uses the term ‘minority owner.’

When Maher said ‘minority owner.’  His comic brain saw an opportunity to do a double-entendre play on the word ‘minority.’

Given a few seconds to ponder and process, the audience then sorts it out in their heads as to what Maher meant exactly by that comment:

‘Is he just making fun of minorities or is he doing a play on the word ‘minority?’

I believe his intention was that Trayvon being a young, black man, got a bad deal in Florida. Also, since Zimmerman is also a minority and living in Florida, he could be saying that both of them have been or will be treated poorly.

Problem was, his intention of the joke was misunderstood, because it had a vagueness to it. It lacked specificity. So the audience did what all overtly politically correct audiences do, they reacted that the joke was an attack on minorities, so they “ooo’ed.”

You’ll notice that once some people had a moment to process the underlying meaning of the joke or what the intended target was (Florida, the jury, unfairness of the process, etc.), there was a smattering of applause indicating that they ‘got’ it.

Assessment

So what do we learn from this? Sometimes, being specific is crucial for the audience to understand the immediate meaning of the joke so that we get the audience to respond the way we intended them to.

Immediacy is not necessary for all styles of jokes, but  jokes that have a perceived meaning that could be taken as racist, sexist, or an attack on anomalic sensitivity (person with a wheelchair in the room, dwarf or little person), while on T.V. with limited time to explain, specificity is crucial. 

Possible Solution

What if Bill clarified the joke by saying, “Better than being a minority in a Florida court these days.” Or “With the raw deal Trayvon got, it’s better than being a minority in Florida these days.”

With that simple clarification, he could’ve turned the “ooh” into an applause.

But with a live audience, you never know.

NOTE: How sensitive can an audience be?

I remember a friend of mine was appearing on The Tonight Show. Previous to his appearance, the band had a musical featured on the piano who was a ‘midget,’ (or little person–just to stay P.C.). While my friend was in the greenroom prepping for his set, the midget was playing the piano. The audience loved the midget. Then my friend comes on for his set, unaware that the pianist tearing it up on the piano was a midget. The comedian opened with two midget jokes…

He couldn’t recover from there and wasn’t invited back to Tonight.

Have you ever had any situations where you stepped in it? Let us know!