There is a movie out there called “A Knight’s Tale.” It stars the late Heath Ledger as William Thatcher, a peasant squire, who, after his master dies, changes “his stars” by changing his identity and becoming a knight.
It’s a fairy tale. Or is it?
About a month ago, a regular guy from Peoria, Illinois, who tweeted regular jokes as a way of venting from work and the grind of daily life, got picked up by the executives over at Late Night with Seth Meyers, to be a staff writer on the show after they took notice of his funny tweets.
The problem with condoms is by the time I get the darn things open the moment is ruined and I don’t feel like making balloon animals anymore
Jimmy Fallon’s “Tonight Show” is just finishing its first week and it has been an experience in engaging entertainment. Fallon has found that “something” that the show has been missing for the last 20 years; FUN!
Fallon’s ability to do impressions and his talent with music is the driving force of the show. Not to go without mention, the hipness and playfulness of his house band “The Roots,” makes Fallon’s “Tonight” totally entertaining and has turned the Tonight Show from that show than Mom and Dad watch before they go to bed, into a show that could entertain the tweens through the fifty-somethings at least.
I’m fifty (hard to admit it), and I find that show totally engaging.
How does that affect you as a comedian or a writer?
Simple. As a comedian or writer it is always good to reinvent yourself. Update, reboot, rewire, retrofit, restore rehab or renovate. Whatever you want to call it, keeping up to date and staying “now” is what drives engagement.
Now this should not be confused with age or birthdate.
Although Jimmy Fallon represents youth and will help NBC acquire the coveted 18-34 demographic in the late night slot, it doesn’t mean that in order to capture that demo, you must utilize only 18-34 talent.
The biggest draw on cable for a nightly show is still Jon Stewart and Stephen Colbert. (Stewart turns 52 this year and Colbert 50).
The key to driving engagement, at least where Fallon is concerned is his ability to be recognizable with his entertainment. He engages the audience with stuff they recognize (Ie: Song parodies and impressions). Even in the sketch above with Justin Timberlake, he slips into a Snoop Dog impression, a Dr. Dre, Ton Loc and Beastie Boys.
Familiarity and recognition drive engagement. If we recognize something we react physically to the television with a point a gesture like, “I’ve seen that,” “I know that!” “I remember that!”
This keeps the viewer watching and the ratings high.
It doesn’t have to be impressions. In fact, I would warn against that, unless you really nail the voice.
But doing something that creates an “in the moment” and “now” dynamic like engaging with the audience, act-outs, interaction with the band, keeps it moving and keeps it now.
There’s an old theatre science theory that states: "The audience is in whatever state the performer is in." Watch Fallon and Timberlake below and see just how much fun they are having and ask yourself, Is the audience having fun too?
It’s that time again! NBC is having their NBC Late Night Writers Reachout Program in New York City.
This is where they seek submissions from writers who are “almost ready,” so they can groom them to be staff writers on the Late Night Shows at NBC.
If you’ve been paying attention to Late Night, you’ll know that there is a lot of movement at NBC with Jay Leno leaving ‘The Tonight Show’ and Jimmy Fallon now talking the helm. Also Seth Meyers taking Fallon’s spot at ‘Late Night.’
Meyers is leaving SNL’s ‘Weekend Update,’ and evidently taking some of the writers with him to the new show, there are spots opening up for writers all over the NBC Late Night Landscape!
This is a perfect opportunity for the new writer to get established. There is no other opportunity like this right now in Late Night Television.
Four Hour Late Night Writers Intensive
To help facilitate this and help writers prepare. Jerry Corley’s Comedy Clinic is holding a Late Night TV Writing & Submission Workshop this week, January 15th, from 11am to 3pm.
In this workshop you will learn:
How to write monologue jokes quickly for Late Night Television.
How to write desk pieces
How to write sketches
What elements are necessary for sketches to work
How to come up with ideas quickly to create sketches from scratch
What makes a great sketch…
AND How to properly format a submission package so that it will be read.
When: Wednesday January 15th 11am-3pm Where: Jerry Corley’s Comedy Clinic 1213 W. Magnolia Blvd. Burbank, CA 91506 Cost: $99 for the Course or for the DVD download (if you can’t attend)
That’s right! We’ll be recording the workshop. So if you want the recording of the workshop with the pdf handouts, you can purchase it from this website just by clicking the DVD ticket below.
If you have any questions, please click the contact me tab at the top of the page and get me an email.
I wish you all luck and remember I am here to help you reach those comedy goals!
The Greg Wilson is Accused of Stealing Another Comedian’s Material while recording America’s Got Talent
According to the story that I first read on Slashfilm.com, comedian-contestant, The Greg Wilson, was performing on “America’s Got Talent.” He went to his closing bit which was an act-out of a mimed argument of a couple arguing in a car.
The crowd loved it, the first two judges loved it. When they got to Howie, he asked the contestant, (The Greg Wilson), “Did you write this, or are you performing someone else’s material?”
Right there in front of the audience and the cameras at the Pantages in Los Angeles, he gets asked if he stole material!
To top it all off, Howie says that he knows the comic that does the bit in question. Then he reveals the name of the comic: “Frank Nicotero.” Some of you may say, “Who the hell is Frank Nicotero?” Well, Frank is a comic who has been around for quite a while. He’s smart and funny… and he also just happens to be the warm-up comedian for… (drum-roll please)…
AMERICA’S GOT TALENT!
So The Greg Wilson is being accused of stealing a bit from a comedian who (unbeknownst to him) is in the SAME ROOM!
DOUBLE OUCH with an “OH SNAP!”
Being accused of stealing material is a big deal in this business. It’s scummy. It’s pathetic. And it can ruin a reputation and possibly a career… isn’t that right Carlos Mencia?
But to be snagged while doing it for a television show that gets to broadcast out to tens of millions is epic!
Here’s where it gets a little gritty:
I watched both comedians performing the bit:
Here’s Frank Nicotero:
Here’s The Greg Wilson: (The Bit starts at 3:43)
See The Differences?
When I watched both of the videos my initial reaction was this:
This bit is a high concept bit that could easily be performed by two different comedians. We’ve all seen couples fighting in a car and I could see that two comedians could come up with similar bits on that concept.
Based on the two versions, I thought that Greg Wilson did a more concise job defining the different characters and acting them out, but…
Jay Leno said to me: “There are no ethics in this business. You have to write faster than everyone else and your reputation will precede you.”
[gn_quote style=”1″]Your reputation will precede you…[/gn_quote]
That’s where this conflict begins to sort itself out; and we can begin to answer the question of if the idea was stolen.
If we consider the fact that Frank Nicotero is a seasoned professional who has hosted a television show called “Street Smarts” for 5 years and has had additional success and has a reputation that is super solid in this business, the origination of the bit in question starts to become clear.
But this is what settled it for me…
According to people who know both guys, It’s said that The Greg Wilson KNOWS Frank and Greg has SEEN FRANK PERFORM THAT BIT for years. I mean the bit goes back to 1993 for Frank Nicotero. It has been Frank’s closing piece for a very long time.
That’s where it’s No Bueno.
It boils down to this: Having a reputation for being a solid writer and comedian with fresh ideas by actually doing the work and writing on a regular basis is crucial in developing your reputation.
By doing a comedy bit that is known to be a signature bit of another comedian, The Greg Wilson has created a dilemma for himself that he now needs to overcome. He has seriously tainted his reputation and that is now being spread via the internet and social media.
If this story continues to have legs, it could really have an impact on his career and what other people in this business think of him.
Also consider this: America’s Got Talent is a reality show. It stays on the air as long as the ratings stay high. Much of the ratings are driven by conflict and drama on the show and although Frank was told that The Greg Wilson’s bit will never be aired…
A decision might be made by the show’s producers to air the segment just for the sheer drama and conflict. It’s bound to drive ratings and new blog posts, shares on Facebook and tweets on Twitter.
This story doesn’t die here. It reanimates when the show airs in about 6 weeks for potentially tens of millions of viewers watching on T.V. and potentially millions in the blogosphere and social media all pointing to the headline of The Greg Wilson allegedly stealing Frank Nicotero’s routine and performing it on Television.
Your reputation precedes you, indeed.
Love to hear your thoughts on this situation pro or con…