Comedy Videos | Free Video Conversion Software

video cameraVideo is your calling card! As a comedian I like to post my videos online. I also post teaching videos, joke-writing videos, and other comedy video presentations. One of the problems I run into is that I need my video to be a specific format and it always seems like it’s not the right format for the hosting web page I’m trying to post it on.

More recently, the iPad and iPhone revealed that they don’t play flash video! So, if you want iPad and iPod users to be able to watch your videos, then you’re going to have to convert the video to mp4 format. I would recommend it since, in a recent report up to 20 percent of video watchers out there are watching videos on their iPads or iPhones. Considering that 9.1 million people Google the word “comedian” on a monthly basis, that’s just short of 2 million people that can’t see your video! That’s a lot of viewers! Don’t miss out on this demographic. Get your videos seen!

I’ve done some research when it comes to this and I have for you on my blog two video conversion programs that you can download and use for FREE! That’s right bitches, FREE! All you need to do is download it to your computer and start using it to convert your videos to the mp4 format so it’s viewable on Quicktime (Apple’s video format). Why would I take the time and write a blog about FREE video conversion software? Because (Big, hairy, creepy voice) “I love you!”  Here they are:

 

ANY VIDEO CONVERTER

Also, here’s something really cool “Any Video Converter” the screenshot you see below, also has a built-in YouTube video download application! That means you can download YouTube videos to your computer! Cool shit, huh? All you have to do is go to this page and download the the sofware by clicking the orange box that says “Download Free Video Converter.”

 

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HANDBRAKE 

Handbrake is an excellent video conversion software too! It’s fast. It’s easy. And it gets it right when it comes to the right conversion that will work with Apple video. The only shortcoming with Handbrake is that it does not seem to support Windows Media Video files, meaning that if you have a .WMV file, it does not recognize it and therefore won’t convert it. So grab handbrake for FREE and give it a test run. See how easy you can convert your favorite videos. And remember, it’s FREE!

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I hope this helps you to get your video up online. Keep your eyes open for more information when it comes to video and how to shoot it, get it online and get it recognized so that people will find it.

Johnny Carson was Wrong!

How To Be A Funny Girl - Women in ComedyI know, I know…how can I say the “King of Television” was wrong, right? And what do I mean by that? Well, the King of Late Night said a long time ago (okay, 1979), that comedy is not a place for women  “A woman is feminine, a woman is not abrasive, a woman is not a hustler… And the ones that try sometimes are a little aggressive for my taste. I’ll take it from a guy, but from women, sometimes it just doesn’t fit too well.”  The power that Johnny wielded set in motion the scarcity of really aggressive funny and feminine female comedians which lasted for many years.

Well, Johnny Carson was wrong!

Women have been funny, but they were usually abrasive and not sexy. That has changed recently and to me it’s as big an event in the so-called women’s movement as a woman’s right to vote! Yes! It’s about time. I love seeing feminine, attractive women on stage who are not afraid of being funny and who are not afraid of letting it all hang out and calling it like it is.

These new smart, funny, sexy women are the face of female comedy today; Chelsea Handler, Whitney Cummings and Sarah Silverman, (just to name a few) are paving the new road to success in comedy for women. The industry has been hungry for this without even knowing it and it’s been taking off.

Just recently E! Television decided to re-sign Chelsea Handler’s “Chelsea Lately” show for two more years. That’s great news. Chelsea will also be executive producing and guest-starring in “Are You There, Chelsea?,” a new series on NBC, scheduled to premiere on January 11th, 2012.

Way to go, Chelsea! And way to go women in comedy. We need more! C’mon girls, get your funny on!

Comedian Lessons | How Not To Be Invited Back

Not Welcome! DoormatThere are a lot of sayings I remember from the greats, that stick with me to guide me and motivate me during my journey in comedy. I thought I’d share some with you while telling you a story in this comedy lesson that may help you learn to avoid not being invited back.

Spencer Tracy once said, “Be nice to everyone on the way up, because you meet those same people on the way down.” No place is this more true than in show business. Every business has their fair share of heady, selfish, temperamental people but show business tends to get more than its fair share. And it’s in this business where your attitude can get you in big trouble and that’s what this edition of comedy lessons is focused on.

One of my favorite sayings is actually from a club booker in Vegas: he said, “Jerry, I’m-a break your legs…” Kidding! The booker is Tony Camacho and he books Brad Garrett’s Comedy Club at The Tropicana Hotel. He said, “Be remembered NOT for what you do off-stage. Be remembered for what you do on-stage.”

Coming up in this business I learned to always be nicer than expected, earlier than expected and more prepared than expected and I try to convey that to my students in my comedy courses. Clubs have rules and if you don’t respect the rules you can do yourself and your fellow comedians a disservice.

One of those rules in comedy is to “mind the light.” In most comedy clubs, you are given a certain amount of time to perform on stage. At many of the clubs in L.A. it’s 5-7 minutes, sometimes you can get longer, but most clubs you get 5-7. Clubs have a system to let the performer know when their time is up. Usually there is a light set up somewhere in the showroom that will be turned on when you have 1 minute left in your set. After that, the light flashes and that basically means ‘get the hell off the stage.’

Minding your light shows that you are a professional. It shows that you know how to put together a 5-7 minute set, execute it, and get off the stage on time. Subsequently, it shows a T.V. talent coordinator that you know how to craft a tight set and wrap it up on time and in television, time is crucial.

My class recently had a showcase at the Comedy Store in the main room and one of my comedy students decided he would ‘run the light.’ This essentially means he planned to intentionally go over his time to try to get more time on the stage and thus a longer set on video. He bragged about it back stage and then took the stage. At six minutes his light came on and right then he started a bit that was at least 3 minutes long if not longer. At seven minutes the light started to flash and he ignored it, continuing his set.

The show producer cued music stopping this comedian in his tracks. (Music being played is the equivalent of the ‘hook’). The comedian said, “good night” and left the stage. But running the light wasn’t bad enough for this comic, he then bitched and moaned about it backstage while other comedians were trying to get into the right frame of mind to prepare themselves for their sets. Then he stormed out from the backstage area to the back of the showroom and started yelling at the producer, “That’s f**king bullshit. That’s so unprofessional!”

The comedian not only was incredibly unprofessional himself and intentionally ignored the light, he then started blaming everyone else! The guy has zero introspection a sure-fire personality flaw that will ultimately lead to failure…unless you’re Christian Bale.

This is one of the fastest ways to not be asked back by a club producer or booker. Despite the fact that this comedian was told numerous times to mind the light in the past, he thought he’d disrespect the club, the booker and his fellow comedians. The audience heard his yells of protest, too, as he marched to the back of the showroom.

So what’s the comedy lesson? He’ll definitely be remembered, not for what he did on-stage, but for what he did off-stage, and probably won’t—at least by that booker—be invited back.

Comedy News | Obama Speech Writer Turns Exec. Producer

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Jon Lovett, a former speech writer for President Barack Obama, who left the administration over the summer to pursue a writing career in Hollywood, has made good on his goal. NBC has given a put-pilot commitment on a new 30-minute single-camera, half-hour comedy, "1600 Penn."

It will focus on the lighter side of a fictional president’s dysfunctional family living at the most famous address in the world. (Imagine what the swing-set in the backyard looks like…"Hey kids, whatever you do, don’t press that red button!").

This is the first comedy about The White House and the president to reach one of the major networks. Prime time had some success with NBC’s "West Wing" and ABC’s "Commander in Chief," and Comedy Central had a short-lived series that featured a ‘Dubya’ look-alike called "That’s My Bush," which lampooned a sitting president while UPN did a conceptualized comedy set in the era of Abraham Lincoln when they did "The Secret Life of Desmond Pfeiffer." But this is the first 30-minute sit-comJason Winer of Comedy hit Modern Family.

This is a pretty significant event in the television world for a couple of reasons. One is mentioned just above, but NBC has only given out a handful of put-pilot commitments for the 2012-13 season, which shows the faith NBC has in previously untested Lovett.

Lovett will be on the comedy project as executive producer and will be joined by Modern Family director, Jason Winer and "The Book of Mormon" star Josh Gad also as executive producers.

From a comedy perspective, I’m interested to see how this will play out and if it can support a substantial enough television audience to keep it on the air. In my view it would need really solid writing that focuses on the family’s struggles, (ala the Huxtables in "The Cosby Show" or The Baxters in "Family Ties"), because it won’t float on the concept alone.

How To Comedian | How To Get Gigs

dealThat’s no typo up there in the title. I’m going to rebrand the word; change it from not only a noun, but also to a verb. The act of being a comedian. The connotation is so narrow isn’t it. “…An entertainer who seeks to make people laugh with sketches and funny monologues…” But being a comedian is so much more.

“How To Comedian” is my series on equaling out the word show-business and giving comedians tools so get work, the business end of the equation. Since I was 23, I haven’t had a full-time job. Everything I’ve done has to do with being a comedian and focusing on comedy. There have been times when I slowed down on the road to spend more time with family, but ultimately all my income has come from knowing how to comedian. That includes telling the jokes and making a living.

When I hang around the comedy store or talk to other comedians, their primary concern is getting work. “There’s not enough work out there…” is the common line.

I’m going to tell you something right now: there’s more work available as a comedian than you can even imagine.

Here’s the catch: to get started, you need 3 things:

  • You just have to know where to find it.
  • You have to have the balls to go and get it.
  • And you have to be able to work CLEAN!

Wow! Is that all? It may seem like a small requirement and it is, but in reality only a small percentage of comedians out there have these qualities. Some have balls but can’t work clean. Some work clean, but don’t know where to find the work or they don’t have balls.

Sad, but true. Stick with me, my cheeky laugh-makers, I will guide you through.

Every year from November to January, I am booked solid with “corporates” and other events that pay between $600 and $5000 per appearance. (To be completely transparent, the $5000 gigs are not as common, but they do bite sometimes when I pitch them this price). Those gigs pretty much set me up for the following year. Not bad, huh? I’ve been doing that since my early twenties in gigs no one has ever heard of. But it didn’t come easy.

First, I had to learn to work clean. When I started, I didn’t think I could even step on stage until I had an hour worth of material. No one told me what I needed. I didn’t have anyone to guide me. So I wrote and wrote until I had an hour. My only audience at that time, to try my material out on, was my parents and the comedy traffic school I was teaching. The material had to be clean.

So I had an hour or so of clean material. It’s not as hard as you think to write clean. REALLY. Browse through some of my posts, read my blog on using analogy to write jokes and look at my video on writing 15 jokes in 30 minutes, you’ll begin to see how easy it becomes writing material.

Once you have your hour of clean material, (really, all you need is around 40 minutes), and you’ve honed it and rehearsed it so that it generates laughs every 20-30 seconds, (In club auditions they look for a laugh-point every 18-20 seconds, but for corporate you have more flexibility), you can begin to move to the next step: Knowing where to find the gigs.

My suggestion is to start locally. Call your local Toastmasters, Rotary Clubs and other similar organizations (they all have websites). Tell them you would like to do 15-30 minutes of comedy for one of their luncheons. Offer to do it for FREE. That’s right. FREE.

Trust me on this. When you give away your best stuff, they will buy anything from you.

When you do an event like this for free, ask them not to tell people that you’re doing it for free. Give them a professional solid, funny show and you will be amazed at how many business cards are thrust at you after your appearance. All these folks own businesses and are looking for something new. They see how effective a comedian can be at a corporate event and now that they got a taste, they’ll want to see if they can afford you.

I do this every year at different Rotary Clubs in the area and it works like magic. I always book at least one gig, usually more. Think about it, for an hour or two of my time, I book a gig that usually pays a minimum of $1000.

So let’s start there. I don’t want to make this blog too long. Comedians have a short attention span! See, this is where having balls comes in. You can’t just wait for the work to come to you, you’ve got to go out and get the work! That’s your job. That’s the first step in really learning how to comedian!

The irony of this scenario is even though this technique works like magic. Over 97 percent of comedians won’t do this and I’ll see the same faces at the Comedy Store saying, “There’s not enough work out there…”

Power to the punch line!