Get Into The Ventura Comedy Festival

ventura comedy festival It’s that time again! The 4th Annual Ventura Comedy Festival is getting revved up for their 2014 season. Check out the website for submission opportunities.

Last year the show had over 200 comedians participating. This year the festival is even going to be bigger.

Comedian Randy Lubas is the founder of this festival and has personally reviewed all the videos that were submitted.

The submission fee is only $25, so even the most broke comic can raise that cash.

Again, they are in the earliest stages of announcement and will  be open for submissions soon. Please keep checking their website for the updates.

You know the benefits of participating in competitions, so get into this one if you can!

NBC’s Late Night TV Writers & Submission Workshop

LateNightLogo.jpgIt’s that time again! NBC is having their NBC Late Night Writers Reachout Program in New York City.

This is where they seek submissions from writers who are “almost ready,” so they can groom them to be staff writers on the Late Night Shows at NBC.

If you’ve been paying attention to Late Night, you’ll know that there is a lot of movement at NBC with Jay Leno leaving ‘The Tonight Show’ and Jimmy Fallon now talking the helm. Also Seth Meyers taking Fallon’s spot at ‘Late Night.’

Meyers is leaving SNL’s ‘Weekend Update,’ and evidently taking some of the writers with him to the new show, there are spots opening up for writers all over the NBC Late Night Landscape!

This is a perfect opportunity for the new writer to get established. There is no other opportunity like this right now in Late Night Television.

Four Hour Late Night Writers Intensive

To help facilitate this and help writers prepare. Jerry Corley’s Comedy Clinic is holding a Late Night TV Writing & Submission Workshop this week, January 15th, from 11am to 3pm.

In this workshop you will learn:

  • How to write monologue jokes quickly for Late Night Television.
  • How to write desk pieces
  • How to write sketches
  • What elements are necessary for sketches to work
  • How to come up with ideas quickly to create sketches from scratch
  • What makes a great sketch…

AND How to properly format a submission package so that it will be read.

When: Wednesday January 15th 11am-3pm
Where: Jerry Corley’s Comedy Clinic 1213 W. Magnolia Blvd. Burbank, CA 91506
Cost: $99 for the Course or for the DVD download (if you can’t attend)

That’s right! We’ll be recording the workshop. So if you want the recording of the workshop with the pdf handouts, you can purchase it from this website just by clicking the DVD ticket below.

If you have any questions, please click the contact me tab at the top of the page and get me an email.

I wish you all luck and remember I am here to help you reach those comedy goals!

 

5 Reasons to Use Imitation and Emulation to Learn Stand-up Comedy

kids-imitation

From the time we are toddlers, we learn by watching and imitating. That’s how we learn to walk, to talk, to express ourselves.

Imitation is the ‘stem-cell’ of our learning ability.

So why not utilize this technique when learning how to be a comedian?

At first, it might seem like cheating, no?

And when I say, “imitate,” I don’t mean “copy.” I mean emulate.

Practice sounding like a certain comedian.

I mean, “but wait!” You might be saying. Stand-up is one of the last real “raw” performance-based art forms. Why would anyone want to imitate?

5 Reasons to Use Imitation or Emulation in your Comedy:

There are several reasons, when you are starting out, to use imitation and emulation develop. Here are a few:

  • It can get you to sounding like a comedian faster.
  • Imitation or emulation can help you discover new inspirations.
  • It can help you find the inflection to make a joke, or bit, really resonate.
  • It can help your brain to recognize the patterns and rhythms that get laughter from the audience
  • It can help you get confident in your pauses and perfect your timing.

Once you start emulating the behaviors of a comedian, you begin to ‘walk in their shoes,’ and you begin to think like one. As a result, more jokes come to you off-handedly during the normal progress of your day and you start recognizing subjects and situations that are ripe for a comedy routine.

As a tool, imitation and emulation is used all the time in life.

Famous guitar players all say that they learned by playing the riffs of the greats, then from those techniques they branched off and developed their own style.

Johnny Carson said he copied Jack Benny to learn how to perfect his timing.

Jerry Seinfeld was clearly influenced by George Carlin.

Robin Williams seemed to take his moves directly from Jonathan Winters.

When you watch Bill Burr, can’t you see a bit of Dennis Leary?

I studied Carlin, Pryor, Cosby and Seinfeld, mostly. When I first started I was very “Seinfeldian.” In fact, I remember going on stage at the Laugh Factory in L.A. one night. Jerry Seinfeld was in the room. I did my set with my jokes, but my inflections and behaviors had a definite Seinfeld feel.

After my performance—which got a decent response, from the audience—I said hello to Seinfeld and he just sort of blew me off. I said to myself, “maybe I I should tone it down a little.”

After that experience, I was lucky enough to meet with George Carlin. He gave me the best insight to comedy;

He said: “Take the stuff that drives you crazy and make it funny!”

That’s when I started to really develop as a comedian.

But it was the study and emulation of my favorite comedians that got me moving in this industry. Within my first two years as a comedian, I developed an hour of material, nailed my first audition with the legendary Bud Friedman, (owner of the Improvisation) in Los Angeles and got booked in Vegas and got my first television booking as a comedian.

After that, I used that television tape to book gigs all over the country and I never looked back.

Stand-up is a Conversation

One of my students is an actress. She’s a really, really good actress. She started doing stand-up in July. Like a lot of actors, she was having trouble eliminating that fourth wall and making the material sound like it was stand-up, rather than an actor’s monologue.

The difference between stand-up and acting is that stand-up is a conversation. It’s hopefully a one-way conversation, but it is more like a conversation. It’s like you’re talking to your friends in your living room or better yet, at a bar.

This actress-comedian was having a difficult time breaking out of the monologue mode. Then she started studying comedians like Whitney Cummings and Amy Schumer. I mean really studying them.

She listened to them for hours! (I recommend that to anyone—take your favorite comedian and listen to them for hours).

She would even repeat their lines while she was in her apartment, trying to emulate their nuances and their voices.

In a matter of a week or two, her act went to the next level. By the time she had her next appearance, she was sounding more like a comedian. Her material was resonating more with the audience. They were responding to her faster and with harder, snappier laughter.

She was becoming a comedian. It was her own material, but she emulated to get the nuance of a comedian.

4 Weeks to Being A Better Writer

To some people this seems crazy…

I get it. The comedian’s nuance and rhythm my come naturally to you. If so, then this post is not for you.

Go do your thing and continue in your own growth and brilliance.

But to you comedians with some years of experience, I still recommend listening to the really good comedians.

When I had been doing comedy for about 8 years, I was on the road for four weeks straight. In my car I had one cassette (yes, I said “cassette!” Don’t judge!). It was Dennis Miller.

One thing about Dennis, is he used to use really colorful language in his material. The writing was clever. He used a lot of analogy, simile and metaphor to add texture to his stories. In my view it made the story worth listening to.

By the end of the tour, my comedy also had more compelling language. It was better written and it was getting better response. I kept it in my own voice, but that four weeks with Dennis Miller made me a far better writer!

This particular post is for beginners who are having a hard time getting out of the habit of sounding like they are reciting material and getting more in the habit of sounding like a comedian; like a conversationalist.

For you, if you are struggling with this concept. Try emulating or imitating. It might make you sound like a comedian faster.

Then again, you might already be emulating.

How Developing Habits Makes You A Better Comedy Writer

image How do you start your day?

How do you end your day?

I bet that if you walk through the motions, step-by-step, you can pretty much rubber-stamp habits like preparing for bed or waking up to go to work.

Like, for me, going to bed might be mapped out in steps like this:

  • Check the doors to make sure they are locked
  • Turn out the porch light and the light in the Foyer
  • Tell Fairchild (our Butler), that I will have tea in the library prior to turning in.
  • Set the thermostat
  • Get undressed
  • Use the bathroom
  • Brush my teeth, etc.

All of these—except for the smart-ass and fictitious ‘Butler’ comment—I don’t really have to think about.

I do them automatically, and I bet if you mapped out your morning or evening habits, you would probably be able to say you do them automatically too.

What about your morning commute to work? Do you have to think about it? Or is it automatic?

Unless you’re like some people I know who use a G.P.S. to get everywhere, all the time, (and you know who you are), your drive to work is probably automatic. You don’t have to think of the low-level details required to get there.

How does this happen? How to we train our brains to utilize ‘automaticity’ with certain tasks or behaviors?

PRACTICE

That’s right, practice. The behavior of repetition. Repeating a task over and over will help you train your brain to do it automatically.

Without thinking about it.

That makes sense to most of us. But how do you change a habit or better yet, develop a solid habit?

Willpower is a Finite Resource

Relying on sheer willpower to develop a new habit is not necessarily a good idea. Willpower, according to the Journal of Personality and Social Psychology, is a finite resource and it suffers depletion after use.

A study actually done on this phenomenon called “ego-depletion,” shows that after willpower is exerted in one area, it becomes harder for an individual to exert it in another.

Have you experienced this?

With the understanding of this new knowledge of “ego-depletion,” it would seem wise to slow down your habit changing and apply it in a more focused way.

If you’re like most people, you probably come up with more than one New Years resolution, right?

Then you try to apply these new behaviors all at once.

“I’m gonna go to the gym everyday…”

“I’m gonna eat more salads.”

“I’m gonna stop drinking, smoking and drugs.”

“I’m gonna write some clean comedy.”

That seems like a small list, but according to the behavior studies, most people have 10 or more resolutions and those who tried to implement and develop these habits all at once, would soon fail miserably at all of them.

Focus on One Task at a Time

One way to really ensure that you will have a high rate of success on developing a new habit is to focus developing only one at a time.

If you slow down and take one habit at a time and give it your complete focus and attention your odds of experiencing ‘ego-depletion’ are drastically reduced.

So if you want to “wake up earlier” or “write some clean comedy,” then try doing only one of those for a month. That’s right 30 days of only one habit.

Although some studies say it takes 60 days to fully develop a new habit, other studies say habits can be developed in 20 days and since we are focusing on one habit at a time, 30 days seems practical.

If you actually applied this and did it for a year, you could make a lot of changes in your comedy writing and in your life, overall.

Start ‘Habitualizing’ Right Now to be Funnier

Today or tomorrow, write down the 10-12 new habits you want to apply to your comedy or your life.

Choose which one is most important to you or most needed.

Then spend the next 30 days implementing it by writing it in your daily calendar and making it an appointment.

Really map it out!

Say for example I want to be funnier in my everyday life. I know through experience, that one of the easiest ways to be funnier is to utilize the Double-entendre comedy structure. Simply put, using the secondary meaning of a word to respond to a comment from someone. They say something with an intended meaning and you respond with the comedic meaning of the word or meaning of the phrase in its entirety.

If I decide that I’m going to sharpen that sense or strengthen that muscle in my comedy, I would practice with random sentences, then find a word in that sentence that could have multiple meanings.

Then I would write a few lines in response to the original line using the comedic interpretation of the word.

For example, if I was in the grocery store and the clerk said, “Did you find everything you were looking for?”

I might respond with, “Well, I found the wine and some candles, but I couldn’t find a soul-mate… you had Mahi-Mahi, but I’m not into twins…”

Or try to write another line in response to “Did you find everything you were looking for?”

“Everything? Can you tell me where I could find a hot chick who digs bald guys who jerk-off and eat hot pockets?”

If I did this every day for a month, with five random lines, without fail, I would be a sharper, faster, funnier writer in no time. Plus I would have a habit developed to do it everyday.

With 12 months in the year and 12 Major comedic joke structures, applying habits each month could make you one Hell of a writer in a year.

Get to Work

So what are you waiting for? Now that you have a process and an understanding, select those habits you want to change. Implement your focus and start changing the way you work, by developing new habits to become a better comedy writer.