
Session #7

Instructor:
Jerry Corley
Mitch Hedberg didn’t simply look for something funny to say. He took familiar words, phrases, products, and everyday observations—and looked at them as though he had never encountered them before.
In this course, you’ll examine the writing techniques behind Hedberg’s distinctive one-liners, surreal observations, and brilliantly simple wordplay. You’ll learn how his laid-back, “maybe-I’m-stoned-maybe-I’m-not” persona gave him the creative license to question ordinary logic and follow ideas into unexpected territory.
Using Hedberg’s approach, you’ll discover how to dissect familiar phrases and collocations, apply a persona filter, uncover overlooked meanings, and expand a basic observation by asking: “If this is true, what else is true?” and “What would happen if…?”
Then you’ll put the process into practice by transforming everyday subjects—including escalators, king-size beds, hand soap, and hand sanitizer—into original comedy premises and concise, surprising jokes.
This lesson doesn’t have to end when the video does. Use the comment section below to put what you’ve learned into practice and keep the conversation going.
Post your:
Questions — If something isn’t clear, ask. Chances are other students are wondering the same thing.
Homework & Exercises — When the lesson includes an exercise or bonus assignment, post your work below.
Jokes & Premises — Try out what you’ve written using the techniques from this lesson.
Observations & Discoveries — Spot this technique being used by another comedian? Share what you noticed.
Feedback — Feel free to respond to other students’ work. Be constructive and help each other get better.
Don’t just watch the lesson—use it. Comedy writing is a skill, and skills improve through repetition, experimentation, feedback, and practice.
So jump in. Write something. Try something. Ask something!
Talk about accents & voices. If you liked this class, DON'T MISS THIS ONE!

Maria Bamford is a master of character voices, dialects, act-outs, polyvocality, and diegetic interruptions—often shifting dynamics without ever leaving the microphone.
In this deep-dive course, you'll break down the techniques behind Bamford's uniquely layered comedy and learn how to use character, voice, point of view, subtext, and unexpected shifts to make your own material more dynamic, distinctive, and engaging.
Special offer only $49

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