10 Minute Comedy Master Class Featured Image (1200x675)

10-Minute Stand-Up Comedy Masterclass

Erma Bombeck said, “Dissecting a joke is like dissecting a frog; they both die in the process.” In this video and blog, I set out to prove her wrong. Dive into the art and science of comedy, where I mix performing and teaching to show how understanding the mechanics of laughter can make jokes even funnier.
by Jerry Corley
comedic timing featured image

Get the Last Laugh: Secrets to Perfecting Comedic Timing

Timing is more than just an existential experience; it's based on many factors. Let's make something clear: It is totally learnable, especially if you understand the mechanics that underlie it. There are a lot of nuances related to comedic timing. To convey this information thoroughly, this may take several different blog posts on this subject, each relating to a different aspect of comedic timing. But for now, let's start with...
by Jerry Corley
pat corley as phil on Murphy Brown

14 Reasons Stand Up Comedy is Great For Actors

Growing up the child of actors and being an actor myself, studying with the top teachers in New York and L.A., I never knew that right before my very eyes was a solution to the actors age-old problem of unemployment.

It's stand-up comedy. Out of all the actors in the Screen Actor's Guild, at any given time, 2 percent are working.

When I discovered stand-up comedy, I learned that I could work when I wasn't 'working,' hone my ability to be present and in the moment and become fearless!

As an actor, most performing is at auditions or in acting class. And what are those scenes, 3-minutes? Auditions, 1-2 minutes?

When doing stand-up, you have a nightly opportunity to be on stage and be open to every minute inspiration that occurs for stretches of time like 5, 10 or 20 minutes?

by Jerry Corley
Stand Up Comedy Clinic

Why Are You Yelling Your Comedy?

The benign violation theory, a psychological phenomenon where the audience will recoil from the offense. In comedy it's when the audience is repulsed or offended by the content or also the volume. Yelling or screaming into the microphone is not a substitution for authentic enthusiasm...
by Jerry Corley