Ratings are down for Late Night Shows. Of course they are. We don’t have 3 networks like we did back in the day. There are hundreds of channels to choose from so Late Night Talk Shows are competing for an audience harder than a new product competing for shelf space in a supermarket.
It’s a super competitive market out there which is why I came up with 3 Reasons Late Night TV Needs Fresh Writers.
New Hosts Almost Across the Board
Not sure if you’ve been watching, but it’s an interesting time in Late Night TV. We have new hosts across the the networks with Jimmy Fallon, Stephen Colbert, James Corden and Seth Meyers.
Who would’ve thought the day would come when Jimmy Kimmel is the veteran host. He debuted in January, 2003.
As far as the ratings are concerned, The Tonight Show with Jimmy Fallon is far in the lead in that regard, but it’s not the ratings that are getting my attention. It’s not the hosts. I think the hosts are capable and talented.
It’s what’s happening behind the scenes, in the staff rooms that bothers me. So indulge me as a jump into reason number one:
I’m usually not guy who armchair-quarterback’s late shows, but lazy writing is something that bothers me to my core. I think it’s one reason why Late Night TV needs fresh writers.
There are writers on those staffs who are making a lot of money. The basic salary for a staff writer on a Late Night show is $4000 per week. That’s the base. You’d figure that if you were making that kind of money, you would bust your ass to keep that job.
The laziness first hit me when I was watching Seth Meyers over at ‘Late Night.’ I like Seth Meyers. Never saw him do stand-up, but loved him on Saturday Night Live’s Weekend Update and when I saw him host the ESPY awards in 2010, I was totally sold that he would be a solid Late Night host. I was also aware that he was bringing over a bunch of seasoned writers from Saturday Night Live to write on ‘Late Night’ so I was excited for some rockstar material.
Retreading Old Sketches
When I first tuned in, they had Meyers doing a sketch where he looks in the mirror doing “Affirmations.” “I’m good enough. I’m smart enough. And doggone it, people like me!”
Ring a bell?
I’m like, What?! That’s Stuart Smalley, Al Franken’s character!
What’s so significant about that? That character first hit the air on Saturday Night Live in 1991 from a sketch of the same name.
#Lazy Writing. You would figure that the writers coming over to Late Night from SNL would bring experience, not recycled sketches.
As a Late Night TV writer, it’s your job to make your host look amazing and funny, not like he’s a retread from last century.
And “Late Night” airs in the 12:30 time slot in much of the country so what a great opportunity to be cutting edge and do something completely unique, right?
I mean where’s the lightning strikes? Where’s the ‘WTF’ moments? I just don’t see it.
Some of these writers are treating their comedy material like I treat my cough syrup with codeine; they use it way after its expiration date.
Severely Dated References
The most recent disappointment was over at the Late Show with Stephen Colbert. He did a joke about Donald Trump taking the Nevada primaries and dropped in a reference to Siegfried and Roy.
Those guys haven’t been on a Vegas stage for 16 years.
Sixteen years! I mean while you’re at it, why don’t you just drop in a Y2K reference!
I mean, think about it this way: of the networks’ coveted demo of 18-34 males, none of them would have been old enough to even go to Vegas when Siegfried and Roy were actually relevant!
The youngest would’ve been two and the oldest would’ve been eighteen. How the hell are they even supposed to know who Siegfried and Roy are?
C’mon writers! Get out of your cubicles and tap celebrity culture of today, not last generation!
I would’ve let that go, but then I saw this:
James Corden at the Late Late Show did the same joke that they did over at Late Night with Stephen Colbert. I know that happens and all and I can hear some of you saying it’s ‘parallel thought’ and I get it, but not only was the joke done on the same network, but it was done the following night; a full show cycle later.
Is nobody doing their homework?
The good news is that it IS a ‘WTF’ moment. The bad news is that it’s NOT the type ‘WTF’ moment that makes your host look like a rockstar. It’s the type of ‘WTF’ that will take your ratings in the direction the stock market goes everytime China farts.
I’m not writing about this simply to trash talk the shows. Those of you who know me, know that I’m a big supporter of people succeeding.
When Conan first hit the air he sucked and I celebrated when he found his groove, but I can tell you, with Conan, it was never about lazy writing, it was about his comfort as a host.
But in Late Night today it’s about the writers. When I was writing for the Tonight Show with Jay Leno I remember a veteran writer telling me that the burnout rate in late night writing is about 2 years.
Maybe some of these writers are experiencing burnout.
The reason I write this is there are a ton of fresh writers out there who would kill for the opportunity to be a late night writer.
Some email me from all over asking about how to get into the biz.
I got in because I found myself in college spending my days writing jokes on celebrity culture and current events rather than going to class.
So instead of fighting it I just came back to L.A. and wrote every day until I landed a job writing for the Tonight Show.
Are you like me? Do you do the same thing? Well then start setting goals to start writing 30-40 jokes a day.
Compare them with what’s on the Late Night shows and see if you’re better.
Because Late Night TV needs rockstars. Late Night TV need YOU!
Maybe YOU could be the one to help these hosts finally bring the ‘WTF’ moment.
Go get ’em!